Category Archives: publishing

Another view of Murdoch

By Chris Daly

Don’t say this blog is one-sided, even on the subject of Rupert Murdoch. The British writer William Shawcross recently stuck up for Murdoch in this piece in the Guardian.

Shawcross, who wrote a 1992 biography of Murdoch, is in a position to comment. I just disagree.

Here’s the take-away from Shawcross:

Rupert Murdoch has been the bravest and most radical media owner in Britain in the last 40 years.

There are caveats. It is insupportable for any tabloid, whether the Sun, the NoW, the Mirror or the Mail to “monster” individuals. But tabloids are an essential part of a vibrant market and the Sun is an excellent paper, catering well to its audience.

Without Murdoch there could never have been such a varied newspaper market in Britain during the last 25 years. Newspapers were dying until he confronted and defeated the greedy print unions. Only after his victory at Wapping did newspapers – on the left as well as on the right – have the chance to flourish. Murdoch’s purchase of Times Newspapers saved that company. It’s hard to think of any other proprietor who would have sustained its huge losses year after year.

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Copy, right?

By Chris Daly

Our wacky legal system at work.

Here is what our founders wrote in the Constitution (Article 1, Sec. 8):

The Congress shall have power . . . to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

Here is what it has come to (from a piece by Patricia Cohen in today’s Times):

Art Is Long; Copyrights Can Even Be Longer

 Filmmakers are not the only ones who sometimes run afoul of artists’ copyright law. In recent weeks Google Art Project, which just expanded its online collection of images to more than 30,000 works from 151 museums, agreed, because of copyright challenges, to remove 21 images it had posted.Artists’ copyright is frequently misunderstood. Even if a painting (or drawing or photograph) has been sold to a collector or a museum, in general, the artist or his heirs retain control of the original image for 70 years after the artist’s death.

Can someone explain how locking up these rights for 70 years after the creator has died is supposed to benefit society by spurring new creative efforts? How does it “promote the Progress of Science and the useful Arts”?

As an author, I am all for giving writers a temporary right to earn money from our creations. Without it, I might still write stuff like this, but I would not have written my book. So, a reasonable copyright is a good thing, in my book (and for my book!). But Picasso is not creating any new Demoiselles no matter how long his family gets to dine out on it.

 

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E-books

By Chris Daly

In the letters to the Times today about ebooks and the future of publishing, I am struck trying to figure out the answer to this question:

In all this upheaval, who is on the side of writers? (without whom, need it be said, there would be no books, in any format)

It feels kinda lonely here in the writer’s corner.

 

 

 

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A great experiment

by Chris Daly 

For years, I had heard about a newspaper that once existed in New York City that carried no advertising.

How could this be? I wondered.

Years later, I had the chance to explore the history of that newspaper, which was called PM. For eight madcap years during the 1940s, PM defied many of the assumptions about the news media and offered New Yorkers a daily paper that was smart, funny, and avowedly left-wing.

As it turned out, the paper’s founding editor was Ralph Ingersoll — one of the most important journalists of the 20th Century whom no one has ever heard of. To my great good fortune, it also turned out that Ingersoll decided to donate all his papers to Boston University. That’s where I caught up with them and discovered that Ingersoll was a great keeper of records and a serial drafter of his own memoir.

The result is an article that I wrote for the Columbia Journalism Review, which posted it to the CJR website today. Enjoy.

(BTW: In the CJR piece, I did not write the headline!)

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Another milestone

By Chris Daly

Congrats to the ancient and estimable Atlantic for passing this key milestone on the way to the future: According to today’s NYTimes, the great old magazine now derives more of its in-coming revenues from on-line ads than it does from the advertising in the printed version.

The good news here is that the crossing of those two trend lines virtually assures the Atlantic’s survival well into the digital era. The bad news is that it may hasten the demise of the print edition.

 

 

 

 

 

 

 

Imagine a magazine that included among its founders a poet (Emerson) who wrote such lines as these:

“Things are in the saddle and ride mankind.”

or,

“All history becomes subjective; in other words, there is properly no history; only biography.”

 

 

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Another one bites the dust

By Chris Daly

This is not another nostalgic piece about the demise of Filene’s Basement, prompted by today’s stories about the closing of the “legendary” discount retailer. (Fact is: I never really liked the place that much; in order to take full advantage of Filene’s Basement, you had to go there a lot, and I hate shopping, so it was not for me.) For people who care about the news business, the thorn on this withered rose is that there goes another source of display advertising for Boston-area newspapers.

When I was a kid delivering those newspapers in the 1960s, Filene’s department store (and not just the basement) did battle with Jordan Marsh from their proud flagship stores facing each other across Summer Street, and they competed with a slew of other department stores as well, including Gilchrist’s and some others I have forgotten. Back then, when those stores had “white sales” or wanted to tout their new fall fashions, or get ride of some extra mattresses, they took full-page ads in the big dailies.

Now, the area known as Downtown Crossing is literally a hole in the ground, from which no advertising dollars escape.

 

 

 

 

 

This is part of the reason that the Globe and the Herald are shells of their former selves. One of their most important revenue streams simply dried up — and shows no signs of ever gushing again.

Footnote: a whimper-out to Globe staff photographer Suzanne Kreiter for having her photo chosen to illustrate today’s story. The last-century photo dates from the heyday: 1988.

 

 

 

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David Carr is right again

By Chris Daly

In his column today, the New York Times media columnist does a brutal take-down of Craig Dubow, the value-destroying former head of the Gannett newspaper chain. (It gives me great pleasure to describe Gannett as a “chain,” because for all the years that I worked at the AP, we were forbidden to refer to any of the big newspaper chains as chains, because they carried such clout on the AP Board that they has succeed in banning the term chain in connection with their own businesses.)

Long story short: Dubow eviscerated the company, then walked off with a $37 million “bonus” package. What a racket.

 

BTW. . . Here is the company’s updated logo. (To my mind, it carries a kind of creepy aftertaste: What exactly is within reach? Whose reach? Sheesh.)

 

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New Boston Globe website

By Chris Daly 

After months of planning, the Boston Globe unveiled its new website today. On first impression, I am impressed. I have tried it on a desktop, on a laptop, and on an iPhone, and it worked well across all platforms. (I will try my iPad as soon as I get home.)

The look is, as promised, very sharp and uncluttered. It looks a lot like the version of its parent publication NYTimes when viewed through a special extension on Chrome called Ochs.

Early reviews of the Globe site are in from Nieman Journalism Lab, from my friend and Northeastern journalism professor Dan Kennedy, and from my BU colleague and online guru Michelle Johnson.

For now, all I will add is these two thoughts:

–I wish the Globe well in tapping a new revenue stream. (They need one!) Original reporting ain’t cheap, and it should not be free.

–For now, I would say it is a good start, but it’s probably too soon to really judge.

 

Stay tuned.

 

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NYTimes paywall

By Chris Daly 

As usual, it is worth reading what Dan Gillmor has to say — this time about the results to date of the New York Times‘ experiment with its paywall. Here’s his recent post from the Guardian.

I agree with him that it’s too soon to render any real verdict, but I think the Times might be doing a bit better than “not failing.” In any case, I wish them well.

 

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NY Times pay wall

By Chris Daly

 

So often, the field of media criticism/analysis partakes of the spirit of sports journalism. If you watch ESPN a lot, you realize that most of the people on the screen have a very specific skill set: the ability to make bold, provocative statements about the near future. (There is a similar skill set involved in politics and military analysis, too.)

 

I will admit that this is an activity I am not very good at, so I will not try. Instead, I take a more agnostic and empirical approach (more in keeping, I think, with the genius of journalism and history, which are essentially backward-looking enterprises). I am applying it now to the NY Times newly announced pay-for-news plan.

 

To its credit, the paper has started covering the issue a bit better, including a piece today.

Some of those people who are gifted with knowledge of the future are already weighing, as here.

I say: let’s get some data first, then try to figure out what it means.

Until then, I must say I wish the Times good luck in figuring this out.

 

NYT publisher Arthur Sulzberger Jr. last week.

 

 

 

 

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