Tag Archives: video

Journalists: “Stay Safe” while on assignment

By Christopher B. Daly

Journalists face an unprecedented array of threats: the traditional physical dangers of covering riots and fires; the new online threats posed by trolls; partisan attacks on coverage someone doesn’t like; electronic hacking of our phones, laptops, and other gear.

At Boston University, where I teach journalism, my colleagues and I are trying to develop materials to help our students “Stay Safe” while they are on assignment — reporting, shooting videos, taking photos, recording audio, or whatever. This was prompted by the horrors of the 2013 Boston Marathon bombing (which took place very near our campus) and renewed by the recent denunciations of the news media by President Trump and his supporters.

Below is an attempt to distill best practices from two conferences. If you have experiences or advice to share, please leave a comment.

A JOURNALIST’S GUIDE TO SAFE REPORTING

 

In rare and unpredictable circumstances, our work as journalists requires us to approach dangerous situations and take calculated risks. Other times, an apparently benign assignment can turn threatening. Wherever your assignment or curiosity takes you, keep these principles in mind:

 

DON’T GO ALONE. If you can, go with another journalist. In any case, always make sure someone knows where you are – an editor, a colleague, a friend, a parent. Stay in touch with your “desk.” If there is a calamity, post to Facebook or some other platform, as soon as it is safe, so your friends and family know that you’re OK.

 

DON’T MAKE THINGS WORSE. Do not interfere with “first responders” – their work is even more important than yours. Do not take a risk that results in you needing to be rescued.

 

DON’T GET IN THE WAY. Take up a position where you can see but where no further danger will come sneaking up from behind. Cover your backside. At a fire, stand upwind, so that the smoke and cinders are not blowing at you. Don’t stand right above a working fire hose; they are under a lot of pressure. At a bombing, remember that bombers often plant a second bomb, timed to go off right around the time you would be arriving.

 

DO BE PREPARED. Wear sensible clothes, especially sturdy shoes, even on routine assignments. Pick clothes with lots of pockets. Bring all the gear you depend on, including extra batteries. Wear a press badge on a lanyard, so it’s visible. Carry a pencil or two, just in case your ink runs out or freezes.

 

DO MAINTAIN “SITUATIONAL AWARENESS.” Look around and listen to the environment, even while doing an interview or taking a photo. In disasters, things change fast. Be ready to run.

 

DO WHAT YOU’RE TOLD. Within reason, obey the lawful safety dictates of firefighters, police officers and other first responders. (This does not mean you have to submit to unconstitutional restrictions, but unless you bring your own army, you may have to fight that one another day.)

 

DO TAKE A COURSE IN FIRST AID, from a group like RISC, and consider a course in self-defense.

 

ESSENTIAL GEAR:

 

–Press pass, visibly displayed on a lanyard.

 

–Identification (and, where appropriate, passport).

 

–Cell phone, with charger and external backup power supply.

 

–Digital camera, with charger and external backup power.

 

–Cash and credit card.

 

–A bandana (which can be used to protect your face from smoke or tear gas).

 

–A headscarf.

 

–A bottle of water (and some kind of energy bar).

 

–Collapsable monopod or hiking staff (or, a flexible mini-tripod).

 

–Batteries of all kinds.

 

–Pens, mechanical pencils, etc.

 

–Flash drive or external hard drive.

 

–Mini-binoculars (I keep these around for birding, and they can come in handy).

 

–Comfortable clothes with lots of pockets.

 

Most of these things should be in your backpack at all times. You never know!

 

 

 

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Filed under broadcasting, digital media, Journalism, local news, media, news, Photography, Photojournalism, press

Bring cameras into court

By Christopher B. Daly

Hard to believe, but most federal courts and all military courts remain closed to cameras. That means that you and I — in other words, The People — cannot observe what’s going on in the judicial branch.

Here are some reflections on closing the Gitmo trials to cameras.

How can this possibly look to the rest of the world? Does it signal that the high-tech United States relies on pastels to communicate? Does it signal that the big, strong America is afraid of something?

The sketch artists do a great job under trying circumstances, and I would hope that they would always be welcome in courtrooms. But let’s get a video camera in there, too.

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Sheesh.

 

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TV in courtrooms? TV in statehouses?

By Christopher B. Daly

In America, where the people attempt to rule themselves, why should we not have access to even the innermost reaches of our executive, legislative and judicial branches of government? It seems to me that if we really believe in transparency, we should demand it. We should operate on the assumption that all government operations are open unless there is a really good case for closing them.

Two cases in point:

–The Whitey Bulger trial in Boston is a matter of intense interest to a couple of million people in eastern Massachusetts and lots of other individuals around the country. But we cannot watch his trial on television, because video cameras are banned from federal courts. Instead, we make do with the daily work of “sketch artists,” pursuing an odd hybrid of fine art and journalism that should have gone out of business by now. TV cameras have been operating for decades in most state-level courts, and guess what? The quality of justice in the state courts has not diminished measurably.

(LEFT TO RIGHT) CHRISTINE CORNELL; JANE FLAVELL COLLINS; MARGARET SMALL Boston Globe

(LEFT TO RIGHT) CHRISTINE CORNELL; JANE FLAVELL COLLINS; MARGARET SMALL
Boston Globe

–The recent filibuster in the Texas Legislature made a hero of state Sen. Wendy Davis (and her pink running shoes). Last week, she borrowed a tactic from conservatives and waged a real, old-fashioned filibuster in order to block a bill that would have seriously rolled back access to abortion in Texas. Yes, she was aligned politically with the liberal agenda. Yes, she was very telegenic. But the only reason that she could rise to her current level of stardom is the presence of television cameras that routinely record and transmit the people’s business being done in the legislature.

Sen. Wendy Davis faces the cameras.

Sen. Wendy Davis faces the cameras.

Obviously, we the people cannot attend every court hearing or legislative debate. For one thing, we are busy. For another, we would never all fit in the tiny public galleries available in most courtrooms or legislative chambers. We need access.

Let those cameras in!

(And if you are worried about the presence of cameras touching off an epidemic of grandstanding, forget it. Our litigators and legislators are already grandstanding every day. We’re just missing a lot of it.)

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NYTimes videos revisit recent past

By Christopher B. Daly 

Without much fanfare, the New York Times has been engaging in an interesting experiment that revisiting old news stories to address the ageless qusetion: “Oh, yeah . . . whatever happened to that?”

Rev. Al, back in the day.

Rev. Al, back in the day.

The service is a partnership between the Times video section and a private non-profit called “RetroReport.” (It’s not that easy to find on the Times site, but here is the link to the page that lists all seven such reports done to date.) According to the partner’s website, RetroReport’s mission is to produce video follow-ups to big stories from a decade or more ago that dropped off the radar of the news business. Recent examples include revisiting the Tawana Brawley case, the Biosphere 2 experiment, and the Y2K hubbub. The folks at RetroReport seem to be a mix of young documentarians and some heavy-hitting alumni of top-shelf operations like 60 Minutes, the Ken Burns films, and PBS.

This is a potentially great idea that brings the Times into the realm of creating the second draft of history as well as the first. In a sense, the Times has entered the field

Biosphere 2. Remember?

Biosphere 2. Remember?

of historical revisionism, giving its audience the chance to re-evaluate stories that once seemed to have one point or significance only to find that new evidence or new concerns have cast the recent past in a different light.

One theme that emerges from these early versions: a lot of stories are wrong the first time around.

Another theme: Despite the predictions, the sky rarely falls.

History keeps happening.

 

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