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A woman making history (and writing it too)

Margaret Fuller pioneered the role of war correspondent in the 1840s.

Here’s an excerpt from my forthcoming book, The Democratic Art: the Role of Journalism in the Rise of American Culture. In honor of women’s history month, here is a history-making woman journalist.

. . . Finally, in early spring of 1847, Fuller and the Springs headed southward across France and down the Italian peninsula, then a hodge-podge of separate states. On arrival, Fuller felt an instant and deep connection to Italy, the home of Virgil and Dante, of Michael Angelo and Titian. As she wrote to Emerson at this time, “Had I only come ten years earlier! Now my life must be a failure, so much strength has been wasted on abstractions, which only came because I grew not in the right soil.” As her letter indicated, she felt that she had now found her real work – and perhaps her real self – in Italy. Indeed, as a writer, she was at her best. She gave up all plans to travel elsewhere. She was, in a sense, home. She had also found her true calling. “Margaret had become a journalist,” biographer Megan Marshall concluded, “whose trademark was experiencing reality firsthand and recording the truth as she saw it.” Fuller’s love for Italy soared when she finally reached Rome, the Eternal City she had read so much about. For the rest of her stay abroad, she would report only from Italy, sending Horace Greeley, the publisher of the biggest newspaper in the U.S., some two dozen dispatches between May 1847 and January 1850.

As Easter approached in the spring of 1847, Fuller and the Springs made their way to the epicenter of the Roman Catholic religion on April 1, Maundy Thursday, to attend the evening Vespers service at St. Peter’s. Afterward, they slipped into a huge throng of pilgrims in the streets around the Basilica. Somehow, Fuller got separated from the Springs and found herself alone in the jostling crowd. Suddenly, a handsome young Roman appeared and offered his arm to Margaret. Although he spoke no English, he managed to indicate that he was concerned for her safety and was offering his help. Using her Italian, Margaret accepted his offer, which she would later call a “singular, fateful” moment. Thus, Margaret Fuller, 36, an American Protestant, met Giovanni Angelo Ossoli, 26, an Italian Catholic. Soon, she would learn that Giovanni was something of an aristocrat. He came from a noble Italian family, but since he was not the oldest son, he did not stand to inherit the either the family’s wealth or property. Nevertheless, he was formally a Marquis – penniless, to be sure, but titled.

Giovanni Angelo Ossoli

For the time being, Fuller wrote little about Ossoli for public consumption, and even in her letters to friends, she was rather evasive. In late spring, she traveled with the Springs as far as Venice. From there, the Springs headed north to visit Germany before heading back to America. Fuller decided to stay in Italy, having to make do without the Springs’ generosity; a single woman, she now had to fend for herself. She headed next to Florence, (which she found “too busy . . . more in its spirit like Boston, than like an Italian city”) and then to Milan. Broke, she wrote to Greeley, asking him for $600 for living expenses. Originally, the Tribune editor had advanced her $120 for 15 columns; she assumed, mistakenly, that that was all he wanted or would pay for. He wrote her immediately to correct her, saying “All the letters you see fit to send us at $10 each will be more than welcome.”[i] Fuller extended her travels that early fall of 1847 to take in the lakes at the top of Italy and the bottom of the Alps. Having traveled the Great Lakes back home, she had to admit that they could not compare with the Italian lakes.

In early October, she returned to Rome, and Giovanni helped her find an apartment on the busy Via del Corso, not far from the Piazza Popolo and the Borghese Gardens. For Fuller, this was something of an idyll, and it appears that she fell deeply in love with Ossoli. But could she marry him? She could not resolve her feelings about marriage, which she considered a “corrupt social contract.” At the same time, she was drawn to Ossoli and may have been considering giving up her virginity. She had known several great men and declined them all. Ossoli, however, presented her with another kind of man: simple, kind, loving. Besides, he wanted to marry her. Fuller wrote to her mother at this time: “My life in Rome is thus far all I had hoped. I have not been so well since I was a child, nor as happy ever as during the last six weeks.”[ii] All the evidence suggests that sometime in early December, Fuller overcame her doubts, and the couple engaged in intercourse. Margaret was thirty-seven and a virgin when it came to sex with men; Giovanni was ten years younger and probably not a virgin. She was a Protestant; he was a Catholic. They faced almost insurmountable obstacles to marriage, especially a public one, since Italy forbade such “mixed marriages.” The couple were sure that the Ossolis would reject them; they assumed that her family and friends would frown too. So they kept mum.

Immediately, Fuller’s dispatches showed a freshness and liveliness – probably a mixture of her newfound joy in her private life and a rising optimism about the republican movements growing across Europe. A landmark new history of the revolutions of 1848 praises Fuller for “the most evocative and insightful eyewitness accounts of Roman events.”[iii] In a column she finished in December, Fuller described three “types” of America visitors to Europe, then turned to continental politics. After 1800 years of Christianity, she asks, what does Europe have to show for it? “Where is the genuine Democracy to which the rights of all men are holy?” The dispatch goes on to point out the widespread misery in Europe and the refusal of the dictatorial monarchs to address the people’s needs. Increasingly, she points to “associationism” as the radical remedy for industrial poverty – without going into great detail. Evidently, Fuller assumed that readers were familiar with associationism, the social theory put forth by Charles Fourier and embraced by Greeley that called for workers to jointly own the factories and workshops where they toiled. In the same column, Fuller turns to the recent U.S. war with Mexico, which threatened to expand slavery into a vast new territory. “I listen to the same arguments against the emancipation of Italy, that are used against the emancipation of our blacks; the same arguments in favor of the spoliation of Poland as for the conquest of Mexico.” On a hopeful note (yet with an ominous undertone), she added that perhaps the younger generation could make a better world. “I have witnessed many shipwrecks,” she added, “yet still beat noble hearts.”

Soon, though, Fuller began suffering symptoms that added up to morning sickness. It is not known if she even contemplated an abortion, but it would have been virtually impossible to obtain one in Italy. Her status as an unwed mother brought with it another raft of problems. If the baby were born out of wedlock, it could be considered a “foundling” in Italy and snatched away from her. Should they marry? Should they wait and see if the baby lived? While Margaret was facing such problems, her finances remained precarious. Nevertheless, Fuller persisted. Indeed, in the coming months, she would prove herself as a successful foreign correspondent and as a terrifically resourceful woman – a single mother, supporting herself financially through her professional work and witnessing a violent revolution. It is fair to say that the privileged ladies of her Conversations back in Boston and the young Harvard-trained ministers she knew at home would be astounded to see her in Rome.

As the year 1848 began, Fuller remained engaged in her work – covering Europe for the largest-circulating newspaper in America. With Greeley’s support, she was well positioned to cover the growing discontent across the continent and the rising calls for democracy and social reform. Revolution was in the air, as insurgent leaders rose up to protest the devastating new impacts of industrialization and the infuriating old insults of autocracy. Greeley had other correspondents in Europe, all men, but none wrote as often, or as well, as Fuller. As the demands for change grew – led by radicals like Mazzini and Mickiewicz – Fuller did her best to cover the great developing story. Broke again, she was stranded in Rome because it was becoming too dangerous to travel and cross contested borders. By now, she was collecting material for a work of history that would capture the great events of 1848.[iv]

Still, she needed to keep working as a journalist. To overcome the many handicaps, she pioneered an array of techniques that would be used by generations of foreign correspondents to come. She kept up with developments by reading the European press – after all, she could read not only English but German, French, and Italian as well. She also interviewed visitors as they passed through Italy, bringing her insights from Vienna to London. And, she cultivated sources close at hand among the American officials posted in Rome, especially the U.S. diplomat Lewis Cass Jr.. In addition, she roamed on foot around Rome, making conversation with Romans from all walks of life. Fuller also had to another issue familiar to all foreign correspondents – staying in contact with the home office. In the late 1840s, telegraph service was becoming established, but it would be two more decades before a reliable telegraphic connection spanned the Atlantic Ocean. So, Fuller had to be sure to get her handwritten dispatches to an ocean-going steamship, which could take it to Boston or New York. To send a message to Greeley and get an answer could take two months.

While restricted in her movements, Fuller read widely among European newspapers, so she was hardly cut off from the wider world. And, as it happened, the momentous events of 1848 would bring one great revolutionary movement right to her doorstep – that was the uprising against papal rule over Italy. In one dispatch early in 1848, Fuller denounced the conservative influence of the Catholic priesthood and the Jesuits in particular. She believed that they were scheming to maintain their traditional powers and prerogatives in Italy and other Catholic countries. “How any one can remain a Catholic . . . after seeing Catholicism here in Italy I cannot conceive,” she wrote in Dispatch No. 22. This column, as well as others, antagonized the growing number of Catholic readers of the Tribune in America, especially Bishop Hughes of New York, who denounced Fuller in print and damned the rebels for imposing “a reign of terror over the Roman people.”

Around the end of her first trimester in late March, Fuller bemoaned the chilly rain and her recent ill health. “Now this long dark dream – to me the most idle and most suffering season of my life – seems past,” she confided to her readers, while keeping her pregnancy secret, of course. She then pivoted to a roundup of news from that revolutionary season: rebellions in Sicily and Naples, the dethronement of King Louis Phillipe in France, the forced resignation of Metternich in Austria, the uprising in Venice, and more. “With indescribable raptures these news were received in Rome,” prompting dancing in the streets. In a postscript dated April 1, Fuller mentioned that she took a brief trip outside Rome. While she was away, one of the last holdouts of Hapsburg rule capitulated in Verona. It now appeared that Mazzini’s dream was becoming real. “Returning to Rome, I find the news . . . that Italy is free, independent, and One.”[v]

            A few days later, more good news. In April, she received a letter from Greeley in which she learned of a major subsidy from the publisher, who confided that he had had to sell part of his stake in the Tribune to raise the funds to keep her on the newspaper’s payroll. Now, the air was not only clear between herself and her lifeline, but she could also look forward to an easing of her pinched circumstances. That same month, she wrote a column expressing again her disappointment in Pope Pius IX, saying he had betrayed the cause of Italian unification, which he had supported the previous year. Now, the pope was urging Catholics across Europe to submit to “their respective sovereigns.” Near the end of that column, she added a fresh denunciation of the U.S. conquest of Mexico, which she saw as another sad episode of one nation robbing another one of its right to self-determination. Turning to Europe, she added: “Here things are before my eyes worth recording, and if I cannot help this work, I would gladly be its historian.” [vi]

Portrait of Fuller by Thomas Hicks, from life, May 1848. U.S. National Portrait Gallery.

            Around this time, despite the news of political upheaval across Europe, Fuller made plans to go into seclusion in L’Aquila, a small town in the mountainous Abruzzi region. She felt she had to stay away from the popular summer resort towns to avoid running into any Americans or Britons who might recognize her and spot her growing pregnancy. Emerson wrote to her that month, urging Fuller to return to America with him, but she replied evasively, trying to throw him off the scent: “I have much to do and learn in Europe yet,” she wrote. “I am deeply interested in this public drama, and wish to see it played out. Methinks I have my part therein, either as actor or historian.”[vii]

The radical part of the campaign to re-unify Italy, the Risorgimento, echoed certain themes from the American Revolution. One goal was to rid Italy of royal rule from outside the territory, just as the Americans had thrown off rule by the king of England, and unify the newly independent states into a territorial federation. That goal would involve winning independence from France, Spain, Austria, and others – all at the same time. Some who supported that goal were willing to replace outside rule with a home-grown royal family under a new King of Italy. The other faction had a more radical agenda. This group, which included Mazzini, wanted a new democratic republic, where the Italian people would govern themselves. Like Thomas Paine in 1776, they wanted to rid Italy of all rule from above, including the Pope. The new republic they envisioned would be a secular one, even in an overwhelmingly Catholic country. In the 1840s, this was indeed a radical agenda, and Fuller embraced it passionately and publicly.[1]

Meanwhile, Fuller remained at work on her history project. She continued gathering material: notes, pamphlets, newspapers, and letters she exchanged with friends across Europe. Of course, her own dispatches for Greeley were part of the process; those columns were what a later journalist would refer to as “the first rough draft of history.”[viii] As two Fuller scholars have noted: “The relationship she envisioned between the dispatches and her “History” was that between sketches and an oil painting; the first done quickly and impressionistically with the scene before her eyes; the second created in the studio and showing the effects not only of contemplation and reflection, but also of selection and arrangement.”[ix] This approach describes much the same technique that Winslow Homer would use a decade later in covering the U.S. Civil War as a sketch artist for a weekly news magazine before turning certain of his “first draft” images into masterpieces of oil painting.

Fuller arrived in L’Aquila on May 29. Later, she would tell Tribune readers of this period: “I have been away . . . during the Summer months, in the quiet valleys, on the lonely mountains.” In the heat and isolation, it was indeed lonely for the American fugitive. What’s more, Fuller was missing the landmark gathering of feminists that took place in late July at Seneca Falls, New York. Led by Susan B. Anthony, Elizabeth Cady Stanton, and Lucretia Mott, the gathering marked a bold and concrete step toward addressing many of the issues Fuller had raised in her foundational book Woman in the Nineteenth Century. Fuller herself would have to settle for reading about the Seneca Falls convention and its “Declaration of Sentiments,” many weeks later, when she caught up with copies of the Tribune.  

At the same time, she found a reason to relocate again. L’Aquila was in the territory of the conservative King of Sicily, and he had started arresting republicans. Fuller could not be sure that her American citizenship would protect her, so she moved out of his territory, to the town of Rieti, which was then part of the Papal States. The move placed her closer to Rome as well, and now Ossoli could visit her. One biographer believes that Margaret and Giovanni quietly married during this period, if only because it would make life much simpler for them as a family, especially when it came to crossing Italy’s many borders.[x] Still, Ossoli had his duties in the Civic Guard, so he could not stay long. Fuller stayed in Rieti and kept working on her history, but it was a difficult time. As her pregnancy advanced, she had no companions or friends to help her. “I feel lonely, imprisoned, too unhappy,” she lamented to Ossoli.

Then, on September 5, while Ossoli was with her in Rieti, Margaret Fuller gave birth, at age 38. They named the baby Angelino Eugene Philip Ossoli and they started calling him “Nino,” a common Italian nickname Together, the new family enjoyed a happy interval, though brief. Giovanni insisted that the boy have the Catholic sacrament of baptism, but that would require waiting 40 days in Rieti. Married or not, Fuller could not wait that long; she needed to get back to work, and she wanted to keep the baby secret for at least a while longer. So, she arranged for Nino to be cared for in Rieti by a wetnurse. Then, she headed back to Rome. By mid-November, 1848, she was back at work. Still, around Christmas she made a trip to Rieti to see Nino, who “seems to be well,” although, as she wrote somewhat ominously to Giovanni, “not much bigger than when I left him.”

Nearing forty, she was managing as a virtual single mother, covering a story of historical importance. “Now, a new hard-hitting tone found its way into her correspondence,” according to one analysis. “She was a different woman by the time she returned to Rome – more militant, more Italian, more certain than ever that her hopes were bound up with the fate of the revolutionary cause in Europe.”[xi] Her dispatches about the tumultuous year just ending were having an impact. She was having the kind of career a few American women journalists (among them, Martha Gellhorn, Lee Miller, and Christiane Amanpour) would follow in the coming centuries. Among Fuller’s many readers back in the United States was Walt Whitman, now approaching thirty, working as a journalist. Later, he would reflect on the hopes he felt were raised by 1848, calling the uprisings: “That brief, tight, glorious grip / Upon the throats of kings.”[xii]

At year’s end, Fuller dashed off two dispatches to the Tribune. She wrote that when she had seen the first signs of snow in the mountains, she had returned to Rome. “I left what was most precious that I could not take with me,” she told her readers, in a veiled reference to her infant boy; Nino, she believed, was safe in the countryside. Because of the growing tension around whether the young Roman Republic would long survive, Rome was now “empty of foreigners.” As a result, rents were plunging, and she could afford a sunny and spacious room at 60 Piazza Barberini (now marked by a wall plaque), from which she could see the magnificent Barberini Palace, home of popes. In her column, she noted the election of the new Whig president Zachary Taylor at home and urged him to send a “good ambassador” to Rome. “Another century, and I might ask to be made Ambassador myself . . . but woman’s day has not come yet.”[xiii]

            While still bracing for a counter-strike, Fuller told her readers about the official proclamation of the Roman Republic, on February 8, 1849. As a candid supporter of the new republic, she greeted it with admiration. She reported that she went into the streets and joined a procession heading to Rome’s magnificent Campodoglio. With banners flying, the new leaders mounted the steps to the high square and one read the manifesto aloud. It had four main provisions:

  1. Popes shall have no role in government.
  2. There will be freedom of religion.
  3. The new Roman Republic shall be “a pure Democracy.”
  4. The Roman Republic will join the new nation of Italy.

In this dispatch, Fuller was already expressing fear of a French intervention to roll back the republican victory. Louis-Napoleon Bonaparte was the new president of France, and, while he was an elected public servant, Fuller believed that in his heart, he was a monarchist. Fearing an attack, she pleaded for American support for the fledgling Roman Republic.

            In a dispatch written on March 20, she opened with this lead sentence: “The Roman Republic moves on better than could have been expected.” This is typical of her evolving literary style. Her opening sentences (what journalists would call her leads, or “ledes”) went right to the heart of the matter, introducing the general topic, establishing a mood or tone, and advancing the story without giving it all away. In the same dispatch, she praised her dear friend Mazzini – now the de facto head of state of the Roman Republic – as “the idol of the people” and “a man of genius.” She also managed to slip away again to Rieti and spent nearly two months with Nino before returning to Rome, a city on the brink of crisis.

            On April 25, 1849, the blow she feared fell. French forces landed at Civita Vecchia, a port city 37 miles northwest that had served Rome for centuries. Fuller wrote about the early stages of the invasion in a dispatch she finished on May 6. Her lead was another gem:

I write you from barricaded Rome. The Mother of Nations is now at bay against them all.[xiv]

The French forces were led by Generale Nicolas Charles Victor Oudinot, who proved be a cruel and pompous scoundrel. He claimed that he was coming as a friend, to restore “order” to the Papal States, a French ally. Fuller saw right through him. “No one was, no one could be, deceived as to the scope of this expedition,” she warned Tribune readers. “It was intended to restore the Pope to the temporal sovereignty, from which the People, by use of suffrage, had deposed him.” In his pursuit of order, Oudinot marched on Rome and proceeded to bombard it with cannon fire, inevitably causing a fair amount of disorder. In the early stages of the siege of Rome, Fuller publicly criticized the American charge d’affaires, Lewis Cass Jr., for continuing the policy of not officially recognizing the new Roman Republic.  How, she demanded, could the United States not salute a fellow republic?

            While continuing to write for Greeley, Fuller became more and more committed to the republican cause. Giovanni was stationed with his Civic Guard unit in the Vatican gardens, and she visited him there when she could. On April 30, at the invitation of an acquaintance, the Princess Belgioioso, Fuller became the director of the Fate Bene Fratelli hospital on Tiber Island, where she organized the nurses and tended the wounded herself (as Whitman would do in the U.S. Civil War). “I have, for the first time, seen what wounded men suffer,” she wrote in a dispatch in late May. Fuller was also fretting about Nino, who she believed was at least safe in Rieti. As the French drew near the city, she worried more and more about Giovanni, whose regiment was coming under fire. She was now, according to her biographer, the last American journalist remaining in Rome. After more than a month of battles, the French arrived at the gates of Rome in early June and began shelling the city.

Fate Bene Fratelli Hospital.

            Now, for the first time, Fuller endured the multiple terrors of being part of a civilian population under bombardment. French cannons hurled bombs into the midst of the urban population by day and night. “War near at hand seems to me even more dreadful than I had fancied it.”[xv] On Sunday, June 3, the French assaulted the barricades surrounding the city. “The attack began before sunrise and lasted all day. I saw it from my window,” Fuller reported, adding: “The Italians fought like lions.” On June 10, she finished a somber dispatch, opening with a question lede:

What shall I write of Rome in these sad but glorious days? Plain facts are the best; for my feelings I could not find fit words.

For the time being, the French were content to stand off and shell the city into submission, inflicting casualties among civilians as well as among the new recruits and volunteers of the young Republic. Fuller noted the “frightful sacrifices” made across the city, including the reduction of the famed Villa Borghese to rubble. Her hero Mazzini was standing “firm as a rock,” she claimed, then asked: “Yet how long, O Lord, shall the few trample on the many?”[xvi]

            On June 21, three weeks into the siege, she filed another dispatch. (Although filled with fresh news, the logistics of trans-Atlantic communication meant that it would not be printed and read in New York for more than a month.) The French bombardment was taking its toll. More and more often, the French bombs would open hole in the city’s defenses, and the Roman militia would rush to the spot, rebuild the barricades, and fire back. Fuller reported the story of one woman in the Trastevere district who saw one of the French bombs land near her. The bomb had a lit fuse, but the woman bravely picked it up and extinguished the fuse before it could cause mayhem. Fuller wrote that her example caught on quickly, and Romans learned to put out the fuses. They gathered the unexploded cannon balls and hauled them to the Roman forces to use against the French.

            Fuller was also working almost every day at the hospital, seeing for herself the grisly toll of the bombardment on the bodies of republican soldiers, many of them young students from across Italy who had rallied to Rome’s cause. Many endured gruesome amputations. “One kissed an arm which was cut off,” Fuller reported. She described another soldier who collected the pieces of his own bones being extracted from his wounds, to save as relics. “I suffer to see these temples of the soul thus broken . . . but I would not, for much, have missed seeing it at all,” Fuller wrote in what could be a motto of all war correspondents – from Herodotus to Martha Gellhorn to reporters unborn. They all seem to know or say: war is horrible, but I had to bear witness. In another trope of war reporting that would become a classic, Fuller also reported that the bombs had a terrible beauty. “In the evening ‘tis pretty, though a terror, to see the bombs, fiery meteors, springing from the horizon line upon their bright path to do their wicked message.”

On the night of June 21-22, the bombing reached a crescendo around 2 a.m. “We were all alarmed by a tremendous cannonade. It was the moment when the breach was finally made by which the French entered. . . That was the fatal hour for the city,” Fuller reported in prose that she had now mastered – a vigorous style, using short sentences and active verbs. The result was writing that was vivid, specific, concrete. “Those who were brought into the Hospitals were generally grievously wounded, very commonly subjects for amputation. My heart bled daily more and more at these sights, and I could not feel much for myself, though now the balls and bombs began to fall round me also. The night of the 28th the effect was truly fearful, as they whizzed and burst near me.”[xvii]

            On July 1, 1849, the Roman Republic fell.[2]

LEAVING JOURNALISM

In a day, the city became a vast camp of refugees, fugitives, and wounded. The press came under censorship; a curfew was imposed; and the Ossolis were wanted figures. She ventured out for one last survey of the ruin.

I entered the French ground, all hollowed and mapped like a honey-comb. A pair of skeleton legs protruded from the bank of one barricade; lower, a dog had scratched away its light covering from the body of a man, and discovered it lying face upward all dressed; the dog stood gazing on it with an air of stupid amazement.

Afterward, Margaret would no longer go out in public for fear of retribution. But in her latest dispatch, she offered a bold prediction: “The fruits of all this will be the same as elsewhere: temporary repression will sow the seeds of perpetual resistance.” She went swiftly to see the American diplomat Cass and prevailed on him to supply two fake American passports – one for Mazzini and one for Ossoli. On July 8, with more help from Cass, Fuller left Rome in a carriage and headed to Rieti for a reunion with her son. To her horror, she found Nino failing to thrive and near death. She discovered that the hired “wet nurse” had been ordered by her own husband to breastfeed only their child. Nino had been kept alive on a diet of bread soaked in wine. He had lost weight and became alcohol-dependent until his mother showed up, took him back, and supervised his care and feeding. With the help of a new nurse, Nino began to improve.

At the end of August, Fuller wrote a dispatch looking back over those “sad but glorious days” of the Republic. It began with this mournful lede: “To write from Italy is now become a sorrowful business.” (She wrote “Italy” rather than “Rome” because she was hiding out in Rieti.) She accused the French commander of sacking Rome and said his denials were flat lies. “They [French bombs] fell in the Vatican quarter; often on the Quirinal, on the Capital, on the Pincian. I am eye-witness that they did.” She went on to rebut another theme of French propaganda – that they occupied Rome to bring order. Before the occupation, Fuller had felt safe and free in republican Rome.

I, a woman, walked alone at all hours, in all quarters of Rome; I stood alone amid the throng of soldiers and of citizens; I took with me little girls to help me at the hospitals, and their parents thought my protection sufficient; I was at the gates, at the post office, in the nearer quarters of Trastevere, in the Vatican gardens – I never saw an act of violence, was never even jostled in the excitement of the crowd; I do not believe ever people or soldiery showed a finer spirit.

Notably, she could still write long sentences, but now they have energy and clarity. According to Reynolds and Smith, on this same day, Fuller wrote a letter to her mother, telling her that she had both a husband and a son and that they hoped to reach America in the summer.[xviii]

            Fuller and Ossoli made their way to Florence, where they settled into a small apartment on the Piazza of Santa Maria Novella. Some speculate that this is when they quietly got married. Nino was gaining weight, and they often took him on strolls along the Arno or to museums. On November 15, she filed a dispatch from Florence, confiding to her readers that the defeat of the republic was hitting her hard.

I have begun to write, yet little do I feel inclined . . . I take long walks into the country, I gaze on the beauty of nature, and seek thus to strengthen myself . . . I look again upon art, and solace myself in its calm. . . .

To find out what happened to Margaret Fuller as she headed back to the United States in 1850 with her son and the boy’s father, the rest of the story will be told in my next book, The Demoratic Art.


[1] Rome in 1848 is the place and time chosen by Willa Cather (chapter 9) for the prologue to her novel Death Comes for the Archbishop, but Cather makes no mention of the political revolution and repression that Fuller saw.

[2] The leader, Garibaldi, departed on July 2 on horseback with four thousand men, trying to evade all the anti-democratic occupying forces in Italy. By August, all were dead, except for Garibaldi and one follower. Garibaldi went into exile in London and New York City. Ten years after fleeing Rome, he returned and achieved his ultimate goal – the unification of Italy. As for Mazzini, he escaped and made his way to England. He remained committed to the cause, but he later broke with Garibaldi over the issue of establishing a monarchy for the newly unified Italy (King Victor Emmanuel II). Mazzini held out for the twin goals of unification and democracy.


[i] More than welcome . . . Greeley’s letter is quoted in Dispatches, p 21.

[ii] Last six weeks . . . See Dispatches, fn p 167.

[iii] eyewitness accounts of Roman events.” Christopher Clark, Revolutionary Spring, (Crown, 2023) p 254.

[iv] For a penetrating history of the continent-wide upheavals, see Clark.

[v] Dispatch 23.

[vi] Dispatch 24.

[vii] Fuller Letters, Vol 5, p 66.

[viii] Often attributed to Philip Graham, the former publisher of The Washington Post.

[ix] Dispatches intro p 28.

[x] Marshall, p 355.

[xi] Dispatches, intro p 26.

[xii] WW quoted in Sad but Glorious Days, 1-2.

[xiii] Dispatch 26.

[xiv] Dispatch 30.

[xv] Dispatch 31.

[xvi] Dispatch 32.

[xvii] Dispatch 34.

[xviii] Dispatches, fn p 316.

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America’s first Black newspaper

March 16 marks the 197th anniversary of the founding of the first Black-owned newspaper in the United States, Freedom’s Journal.


During the 1820s, free Blacks in New York City and elsewhere were beginning to form a  literate community large enough to support a newspaper. As it happened, during the very year that Frederick Douglass started to learn to read, the first newspaper in America owned by Blacks was founded. Freedom’s Journal began publishing on March 16, 1827 in New York City.


The founding editors were Reverend Samuel Cornish, a minister, and John Russwurm, an alumnus of Bowdoin College, who was the first black person to graduate from an American college.

In their first number, the editors boldly stated their goal:

“We wish to plead our own cause. Too long have others spoken for us.”


Not surprisingly, Freedom’s Journal was editorially opposed to slavery, and it published the first account of a lynching ever printed in the United States. At the same time, it served its largely Black readership by running newsy items of general interest, as well as sermons, poetry and advertisements.

The newspaper did not survive long, but it was followed by many others, notably Frederick Douglass’s first newspaper, The North Star, which he founded in 1847.

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FREDERICK DOUGLASS

AND

THE POWER OF LITERACY

By CHRISTOPHER B. DALY

During his lifetime, which spanned most of the nineteenth century, Frederick Douglass grew to be many things: from an enslaved slave boy and teenage shipwright, to a public speaker, an abolitionist, a book author, a feminist, a political activist, a diplomat, and even (against his wishes) a vice presidential candidate. While all those activities were worthwhile, most of them would not financially support an adult with a family. As a practical matter, for most of his adult life, Douglass was a working journalist. He supported himself as the founder, publisher, editor, and lead writer of several important newspapers. First in Rochester, New York, and later in Washington, D.C., Douglass wrote for, edited, and published newspapers that demanded attention far and wide. His editorial voice was every bit as powerful as his famous speaking voice. The written word and the spoken word were both his tools and his weapons.

Douglass is the fountainhead of so much African American writing. At the time of Frederick’s childhood, though, nearly all Southern states banned teaching enslaved people to read or write. But, in one of the great flukes of history, Frederick learned the rudiments of literacy while he was still enslaved. After that, in an impressive feat of self-invention, he essentially willed himself to become literate. Without a single day of classroom education, he made himself a literary lion. In his life and career, there is a direct line that can be drawn from his acquisition of literacy to his self-liberation from slavery and on to his career as a writer and publisher. In the power of his words, Douglass found the strength to shape his times – and ours. We might well wonder how Douglass did it.

STARTING OUT

A boy named Frederick was born to an enslaved mother sometime in early 1818 in the flat, watery world of Maryland’s Eastern Shore. Due west across the Chesapeake Bay lay Washington, D.C., about 30 miles as the buzzard glides but a world away from the dark, drafty, dirty cabin where young Frederick lived. In Washington, the president was James Monroe, a Virginian who enslaved people and sometimes sold them to pay his debts. After his election in 1816, Monroe brought several of his own slaves to Washington to serve him in the Executive Mansion, which had been completed a few administrations earlier with the labor of enslaved builders.

That boy named Frederick was mostly likely born in February of 1818, but as with almost all enslaved people, he did not know the exact date of his birth. In any case, we know that Frederick was the son of a woman named Harriet Bailey. She was enslaved to a white man named Aaron Anthony. Anthony was a prominent figure in the Eastern Shore, serving as something like a chief operating officer for the truly vast Wye Plantation, which belonged to a family named Lloyd. Anthony owned dozens of slaves himself, while the Lloyds owned hundreds.

The scant evidence that exists suggests that Anthony had sex with Harriet Bailey and impregnated her. Since he owned her under Maryland and U.S. law, their relationship was, by definition, one based on coercion. The boy never learned the identity of his father. Without a legal father to bestow a last name on the child, Frederick acquired his mother’s family name, Bailey. The boy barely knew his mother, either, because she labored at a different farm, some twelve miles away. As a baby, Frederick was placed in the care of his kindly, enslaved grandmother — Hariett’s mother, Betsey Bailey, and Betsey’s free Black husband, Isaac.

When Frederick was about seven, his mother died; with no acknowledged father and now no mother, he was from then on, for all practical purposes, an orphan. During his childhood, Frederick endured a gratuitous level of deprivation. Like many enslaved children in the South, he was given almost no clothes. Most of the time, he wore a simple long shirt made of tow-linen, the coarsest and scratchiest available. That was it: no outer layers, no underwear, no pants. He also had no shoes. Most of the time, Frederick had no bed and slept on the dirt floor of his grandparents’ rude cabin. His food was mainly a corn mush, which he scooped into his mouth with an oyster shell. For an enslaved child, there were no treats, no feasts. There were also no lessons. Like other enslaved children, Frederick was taught almost nothing – except to fear his master. At the start, young Fred was at the bottom of a deep well of ignorance, with a lifetime of toil stretching endlessly ahead.

FREEING THE MIND

            “Why am I a slave?”

            As a boy, Frederick Bailey asked himself that question but found no answer. Indeed, that question only led to more questions. He knew that some Blacks were free while others were enslaved, so how could he accept it when whites said all Africans were suited to slavery or destined to it? If Blacks had a soul, how could whites not acknowledge them as brothers in god’s love? If some whites promoted abolition while other whites defended slavery, didn’t that mean that even white people did not have a single unified view of Blacks? Could it be that his condition was not permanent after all? Could he possibly liberate himself from slavery?

When Frederick was about seven, his life, which was hardly his own, took a lurch. Uprooted from his grandparents’ cabin, Frederick was suddenly walked to a different home – on the Wye plantation, the largest in the area. Enslaved children like Frederick were at the bottom of a long pecking order. He was still too young to do field work, so his value to the owners was all in the future. For now, it was enough to keep him alive, and he got barely enough food.

At the Wye Plantation, beatings and whippings were common occurrences, and the young Frederick witnessed many horrors, including a murder at point-blank range by a white overseer. His only regular respite from such depravity and cruelty on the plantation came from his new white mistress. She was a daughter of his “old master” Aaron Anthony named Lucretia, who was married to a white man named Thomas Auld. Lucretia’s father had effectively given young Frederick to her, and she looked upon the boy with favor. “She pitied me, if she did not love me,” Fred recalled, remembering that Lucretia regularly supplied him with food and sympathy.

Then, suddenly, his enslaver decided to send Frederick to live with Thomas Auld’s brother, Hugh, who lived in Baltimore with his wife, Sophia. That played out as a critical turning point in Frederick’s life, exposing him to the big city of Baltimore and to new ideas of all kinds. Not yet nine, Frederick was thrilled by the turnabout. First things first, though: he spent much of the next three days in the creek, trying to wash off the accumulated dirt and “mange” of country life. When he was finally clean, Lucretia Auld gave him his first trousers.

Early one Saturday morning in March 1826, Frederick shipped out from the Eastern Shore. Having no fondness for the plantation, he took one look back from the stern of the boat, then turned and set his sights forward. For months, he had watched from that very shore as sailboats passed by the Wye landing, looking to him like the epitome of freedom, as the ships’ skippers used the wind to go where they pleased. Now, he was on board one of those very sailing ships. The boat headed north up the Chesapeake Bay, past Annapolis, and on to Baltimore. One of the ship’s hands escorted him to his new home, where he would live with Hugh and Sophia Auld and their little son, Tommy. He immediately took a liking to Sophia, and she showed in many ways that she returned his favor. As Frederick put it later, he went from being treated as a pig on the plantation to being treated as a child. He actually lived in the same house with white people, and he slept in a real bed. Hugh Auld did not beat him, leaving Frederick in the care of his wife instead. That would prove to be not only a kindness to the enslaved boy but a life-changing decision.

Living in Baltimore meant quite a few adjustments for young Frederick – and not just the tall buildings, the shops, and the crowds he saw everywhere. The harbor was crowded with large, ocean-going ships, some carrying passengers and some carrying cargo. And there were so many free Blacks – more than Frederick had ever seen on the Eastern Shore. By 1830, four-fifths of Baltimore’s Black population consisted of free (or freed) Blacks. In general, city life granted enslaved people more opportunities and diminished the power of their enslavers to control them, and it checked many of the most violent extremes of plantation life. The city shattered the total institution of rural slavery.[i] So many of these new encounters pointed Frederick in the same direction: the world was wider than he had known it to be, and it included more categories of people than he had met so far. Still, the boy was stuck in slavery; he was owned by one white man and on loan to another.

Under the American regime of chattel slavery, the fate of Frederick’s body was sealed: he would always be the property of some white man. But what about his mind? Did his mind not belong to him? What use, of his own choosing, could he put it to? An answer was not long in coming.

As part of the Auld household, Frederick was in and out of most rooms in the place. Many a day, when Hugh Auld was off working in the shipyards, Frederick heard Sophia Auld reading the Bible aloud to herself. As he listened, he began to wonder about the mystery of reading. Watching her look at a page and listening to her turn those little ink figures into spoken words “roused in me the desire to learn.” Since he was not afraid of Sophia, he asked her if she would teach him the ABCs. “Without hesitation, the dear woman began the task, and very soon, by her assistance, I was master of the alphabet, and could spell words of three or four letters.” Lucretia was proud of her pupil and made no effort to hide the lessons from her husband. She even told him of her plan to teach Frederick to read the Bible himself.

That was too much for Hugh. From his perspective, as a white man, teaching an enslaved child to read was anathema. Although it was not illegal, teaching an enslaved person to read was, in the eyes of almost all whites in Maryland, a bad idea. Within earshot of Frederick, he laid out his reasons (and in the process, gave Frederick a life-long lesson in both the fragility of slavery and the power of literacy). Hugh Auld declared:

–“the thing itself was unlawful” (While not true, this was widely believed among whites and Blacks.)

–“it was also unsafe and could only lead to mischief.”

–An enslaved person “should know nothing but the will of his master, and learn to obey it.”

–“Learning would spoil the best n-word in the world.”

–“it would forever unfit him for the duties of a slave”

–“learning would do him no good, but probably, a great deal of harm – making him disconsolate and unhappy”

–“If you learn him now to read, he’ll want to know how to write; and, this accomplished, he’ll be running away with himself.”[ii]

In short, Auld was inadvertently providing Frederick with “the first decidedly anti-slavery lecture to which it had been my lot to listen,” as he put it several decades later. The boy was naturally disheartened about being thwarted in his lessons, but Auld’s words had another impact as well. “It was a new and special revelation . . . to wit: the white man’s power to perpetuate the enslavement of the black man.” Slavery, he now saw, was not god’s will; it was a product of Black ignorance and white violence, and it could not survive scrutiny. So, if learning unfits the Black man to slavery, then Frederick wanted all the learning he could get. Then and there, he resolved to continue his education one way or another.

Auld’s reprimand to his wife and his angry speech about slavery had clearly backfired; Auld had, in spite of himself, laid bare the wicked heart of slavery and awakened one of its greatest enemies. “From that moment I understood the direct pathway from slavery to freedom.”[iii] So, at age nine, Fred was introduced into the mysteries of the letters of the alphabet, the ways they combine to make words, and the ways words can be combined for almost any purpose. Strong magic.

Until 1830, few states made it a crime to teach enslaved people to read and write. There was little need for such laws, since most enslavers simply forbade teaching on their own plantations on their own authority. Besides, enslaved people had neither books, nor writing materials, nor instructors. But after the slave uprising in Virginia in 1831 – led by Nat Turner and carried out by literate slaves – white leaders across the South reacted with a fury. They killed more than a hundred Black rebels out of hand, then persecuted many more across the region.

White leaders also noted that Turner was a literate and popular preacher who had used written messages in his plot. Considering the power that literacy could provide to future rebellions, some states now made it a crime to teach an enslaved person to read and write. Black literacy was understood as a direct threat to the regime of white rule. Whites reasoned that if enslaved people could read, they would not limit their reading to hymns and recipes. If they could read, they could study the law; they could understand geography; they could convey messages that would allow ringleaders to organize and plan more rebellions.

In the minds of white slavers, one threat arising from literacy loomed above all others. In all the slave states, every enslaved person leaving the slaveholder’s property was required by law to carry a “pass” – a piece of paper that spelled out the bearer’s name, the owner’s name, the name of the home plantation, and the duration of the pass. And it had to be signed by the owner or overseer. It was like an internal passport, and any white person could demand to see a pass from any Black person they encountered. As the key to controlling the movements of every Black body in the South, the pass was sacrosanct. But if slaves knew how to read and write, they could certainly forge their own passes. Then, they could come and go; they could travel, plan, and meet. They could even rebel. All the more reason to keep slaves from learning to read and write. Slaveholders understood that their way of life, and maybe their very lives, depended on it.

For all these reasons, Frederick was never supposed to learn his ABCs. As it turned out, he learned the basics just in the nick of time, for every year after he started to learn, it would become more difficult and more forbidden. The window was closing, the darkness spreading. From now on, Frederick’s lessons would have to be more clandestine.

Frederick already had a base of learning on which he could build the rest by himself. Undeterred, he not only pushed himself to keep learning, he even enlisted the white boys in his Baltimore neighborhood to help him. First, Fred somehow got hold of a surefire weapon in his war on ignorance – Noah Webster’s book. Published in Boston, Webster’s “speller” was a huge hit in its day, selling more than 3 million copies in the first two decades. After the Bible and before Uncle Tom’s Cabin, it was the largest-selling book in America. It was not a dictionary (that came later), but instead an elaborate guide to correct pronunciation of English words, accompanied by examples of uplifting prose and poetry, fables and maxims, along with some rudimentary rules for composition. It was used to teach teachers and for teachers, in turn, to teach students.

For Frederick, the book practically served as his school. He carried it in one pocket and kept pieces of bread in the other. When he needed a white boy’s help with a word or concept in Webster’s speller, he would trade a biscuit for a lesson. Although the boys were white, Frederick reported later that he never met one who would defend slavery. He drew the lesson that those boys had to be inculcated into the system, for the simple reason that it was not natural after all.

In 1831, when he was thirteen, Frederick used his meager savings to buy another life-changing book, The Columbian Orator. The Orator was cultural touchstone, widely read, taught, and shared. Published in Boston, it was a compilation of great speeches and included an introduction with general advice on rhetoric from a variety of classical greats. Frederick evidently took it to heart, reading and re-reading the speeches and studying the introduction to improve his public speaking.

One item stood out to Frederick, for obvious reasons – the “Dialogue between a Master and a Slave.” The author, John Aikin, presented the issue of slavery in the form of a debate. As Frederick no doubt noticed, the slave gets much the better of the argument. The master begins by claiming that he fairly purchased the slave and that he was already enslaved by someone else.

Slave: Did I give my consent to the purchase?

Master: You had no consent to give. You had already lost the right of disposing of yourself.

Slave: I had lost the power, but how the right?

They continue sparring about the chain of responsibility. Then, the master shifts the rhetorical ground with a non-sequitur.

Master: It is in the order of Providence that one man should become subservient to another. It ever has been so, and ever will be. I found the custom, and did not make it.

Slave: You cannot but be sensible, that the robber who puts a pistol to your breast may make just the same plea. Providence gives him a power over your life and property; it gave my enemies a power over my liberty.

The slaver, perhaps worried that he is losing the debate, next demands that the enslaved show him gratitude because he has been a kind master. The enslaved character counters by noting that the “master” treats him no better than he treats the cattle he owns. In the end, the slave wins both the argument and his freedom. What a thrill that must have given the young teenager Frederick! Such were the secrets that reading could unlock.

            As he entered his teens, Frederick discovered religion, becoming a practicing Christian, and he met several black preachers in the Baltimore area. They brought Douglass the gift of the Bible, which in turn brought to Douglass several more gifts: a moral code, a faith in god, and a powerful mode of rhetoric that would shape both his public speaking and his writing for decades to come. One preacher in particular, Charles Lawson, inspired Douglass and served him as a benign father figure for a time. Together, they read the Bible, and Douglass came away determined to master what he called “the art of writing.” No longer content with reading, he now felt a call to writing as well, and the Old Testament would abide with him as perhaps his greatest literary influence.

            Armed with the power of reading and writing, Frederick began to ready himself for the great challenge of escaping slavery. He kept up his pursuit of literacy, reading every book he could buy or borrow and reading more and more of the many newspapers circulating around the Baltimore docks. In port cities, ships carried newspapers from the wider world, and a hungry young reader could learn a lot in their pages. Once, Frederick came across the powerful word “abolition” in a newspaper called the Baltimore American. Such stories, circulating among hundreds of readers, assured Frederick that he was not alone in his wish for freedom. People he did not even know wanted to help him in his quest for freedom.

Frederick also began working in a shipyard, at first doing simple chores. Unlike a plantation, a shipyard was always busy with comings and goings; working there exposed Fred to many more people – and more different types of people, including a flood tide of Irishmen and other foreigners, sailors and laborers, skilled tradesmen, and more. All those contacts, with newspapers and with people, widened his perspective further.

In 1833, when Frederick was fifteen, his life took another sudden turn. The white man who had enslaved Frederick, Thomas Auld, had a falling-out with his brother Hugh, and to punish his brother, Thomas snatched Frederick’s body back to the rural Eastern Shore of Maryland. Dismayed, the teenager now regretted that he had not tried to escape while he was living in Baltimore. Returning to Talbot County seemed like such a defeat. While sailing back southward on the great bay, Frederick could see steamboats heading north – not just to Baltimore but even farther, to Philadelphia, a free city. He began to form a plan.

For now, his body was trapped in the countryside, but he kept reading. All the while, Thomas Auld delivered beatings to Frederick’s body in an effort to make his mind more compliant. To no avail.

Then, from bad to much worse. As of new year’s day in 1834, Thomas Auld decided to send Frederick a few farms away to work for Edward Covey, a white man who was notorious throughout the area as a “slave-breaker” – that is, a man so mean and violent that he could “break” the will of even the most rebellious enslaved men. For the first time in his young life, Frederick would be a field hand, toiling outdoors all day at unskilled labor. True to his reputation, Covey rained down blows on Frederick, for even minor offenses. Over the coming year, the beatings continued, as Frederick would recall:

Mr. Covey succeeded in breaking me. I was broken in body, soul and spirit. My natural elasticity was crushed; my intellect languished; the disposition to read departed; the cheerful spark that lingered about my eye died; the dark night of slavery closed in upon me; and behold a man transformed into a brute![iv]

Even in his anguish and despair, though, Frederick was not utterly defeated. He had Sundays off, and he often spent those days staring from Covey’s farm out onto the broad Chesapeake. He recalled that he sometimes thought about killing himself; at other times, he thought about killing Covey. As he looked out across the bay, he could see a parade of sail, as boats navigated freely on their way to distant shores. He wondered how god could forsake him, and he returned again to the question that haunted him: Why am I a slave?

            Now he saw clearly. “I will run away. I will not stand it. Get caught, or get clear, I will try it,” he wrote later of this moment. “I had as well be killed running as die standing.” He decided to escape by water, like a sailboat running with the wind. In the meantime, he would try to “bear up under the yoke,” sure now in the belief that “there is a better day coming.” After two years of regular beatings, Frederick dared to fight back one day, and he wrestled Covey to a standstill. The fearsome white man never struck him again.

To Frederick, the lesson was clear: I WAS A MAN NOW. What’s more, he had recommitted himself to his ultimate goal – to be not just a man but a free man. At the start of 1836, just shy of eighteen years old, Frederick took a solemn vow: this would be the year he would free himself. After one failed attempt made with friends, Frederick was sent back to Baltimore under the regime of Hugh Auld.

In 1838, as Frederick turned twenty, he struck a deal with Hugh Auld. While remaining enslaved, he would no longer live in the Aulds’ household; instead, he would live elsewhere, on his own, and pay for all his rent, food, clothing, and tools. He would owe Auld three dollars at the end of every week. That way, if Frederick could find enough work and live frugally enough, he might clear a little money week by week. Living on his own also meant that Frederick could read whenever time allowed.

Somewhere, he met a dark-skinned, free-Black woman a little older than he was. Her name was Anna Murray, and she came from the Eastern Shore. Her mother had been manumitted, so Anna was free from birth, and she was now working for pay as a maid. Frederick and Anna were quickly involved in each other’s lives. Soon, they were engaged.[v]

Still, he had his mind set on freedom. But still the old question remained: How?

All through the first half of 1838, Frederick, now with the help of his confidante, Anna, thought it over. Although he knew something about the abolition movement, he did not see that as the answer. For most runaways, the central fact was that they would have to take all the risks by themselves. Self-liberation took careful planning, enormous bravery, tremendous physical exertion, and a generous amount of good luck. Most fled alone.[vi] Besides, for Frederick and Anna, there were no white benefactors or groups to shepherd them.

To go overland presented terrible risks. There were no reliable maps available to them. Slave-catchers patrolled both the South and the North for runaways, who could be returned to their enslavers for a bounty. As a result, it was not enough for a runaway to make it to the state line, or even to a big city like Philadelphia. Runaway slaves found that they had best keep going farther and farther North – as far as New England, or even all the way to that distant place called Canada.

In the end, Frederick decided that he would make his way to Pennsylvania, the nearest free state, this time by land. Frederick and Anna pooled their savings and placed their bet on the railroad. Still, one problem remained: any white person could challenge his right to travel, and the ticket-taker on the train was bound to do so. So, Frederick approached a retired sailor he knew, and the man let him borrow his official transit papers. Frederick knew how to talk like a sailor, and he got hold of some “sailor style” clothes.

Finally, all was set. Early on Monday, September 3, 1838, Frederick Bailey boarded a northbound train in Baltimore. For now, Anna stayed behind and went to work as usual. On board the smoky train, Frederick made his way north, mile by mile. Then a moment of truth: the white conductor entered the “negro car” and demanded to see Frederick’s ticket and his papers. Without much ado, the man accepted them both and passed on.

In Wilmington, Delaware, the passengers had to disembark. The next leg of the journey was by steamboat up the Delaware River, almost 30 miles farther north – a leg of the passage that would change not only Frederick’s life but the life of the country as well. Sometime that afternoon, the ship reached Philadelphia, and he stepped ashore – his first moment on free soil.

Despite his joy, there was no time to linger. He approached a Black man on the street and asked how to find the train to New York. Departing from the Willow Street station, Frederick continued to put miles between slavery and himself, between his old life and his new one. This train took him another 80 miles or so north, as far as Hoboken, on the New Jersey shore of the great Hudson River. A short ferry ride later, Frederick set foot in the country’s biggest, freest city – New York. It had been less than twenty-four hours since he had left slavery behind in Baltimore. Now, safely arrived in free territory, he was beginning his new life. Forever afterward, he would celebrate September third as his adopted birthday.

In New York, Frederick felt overwhelmed at first. He relished his freedom, but he faced a number of immediate practical problems – finding food, shelter, and work in a strange new city. He strolled among the throngs of people on Broadway in lower Manhattan, but even on this free soil, Frederick had to worry about slave-catchers. One precaution he took was to abandon his slave name of Bailey; he started introducing himself as Frederick Johnson. And he was soon reunited with Anna. As a free Black, she could travel much more easily than Frederick could, so she made her way to New York by herself. The two were married on September 15, 1838.

In a matter of days, the newlywed couple headed farther north, taking a steamer to Newport, Rhode Island, where two white abolitionist Quakers met them and took them by stagecoach to New Bedford, a major whaling port on the coast of Massachusetts. Here, some 300 miles from Baltimore, Frederick began to feel not only free but actually safe. He even registered to vote. Still, as a precaution and to distinguish himself from the many Johnsons in the area, he changed his name again. From now on, he would be known as Frederick Douglass.[vii]

Seeking work in a port city, Douglass naturally headed to the waterfront looking for a job as a caulker. Douglass soon joined the AME Zion Church that was then serving New Bedford’s large community of free and runaway Blacks. Douglass also began reading a weekly newspaper published forty miles to the north in Boston. By his own account, he fell in love with the paper and its editor, a man he would soon meet and get to know quite well.

That paper was The Liberator – the loudest voice in the growing abolition movement. That editor was William Lloyd Garrison, among the most prominent and radical of the white abolitionists. As a young man, Garrison had launched the Liberator in Boston in January 1831 for a single purpose: to abolish slavery. Thanks to Black subscribers like Douglass and help on the business side of the paper from sympathetic white businessmen, Garrison was able to publish every week for the next thirty-five years, despite threats to his life, censorship in the South, and deep divisions within the abolition movement. He also served as the founder of the Massachusetts Anti-Slavery Society. Garrison was a self-taught, stone-cold radical who never wavered from three basic demands: immediate emancipation, full civil rights for all liberated people, and strictly non-violent methods. The great cause of abolition was to proceed by “moral suasion,” not by bullets or ballots.

To Douglass, Garrison was a godsend. “The paper became my meat and my drink. My soul was set all on fire,” he recalled a few years later. In 1839, he even got to hear the great Garrison speak in New Bedford. In the summer of 1841, Douglass spoke to his local abolition society. He was heard by a white abolitionist, William C. Coffin, who invited Douglass to the upcoming convention of the Massachusetts Anti-Slavery Society, on Nantucket Island, about fifty miles across the water from New Bedford. There, with Garrison presiding, late in the afternoon on August 11, 1841, Douglass rose from his seat and asked to speak. At that moment, two men who would prove to be among the most effective and influential editors of the nineteenth century met for the first time – Garrison and Douglass.[viii]

Garrison was thirty-five, an austere figure with a high pale forehead and prim spectacles, already famous, after a decade of journalism, advocacy, and controversy. Douglass, twenty-three years old, was tall and strong, but he was a mere laborer, unknown to the assembled white abolitionists. For Douglass to speak in public, especially to a white audience, was not only a personal challenge but also a tremendous risk, since even Massachusetts had its share of slave-catchers on the lookout for fugitives like Douglass. Rising to his feet to address an audience of white listeners, Douglass was so nervous that he could not recall later what he had talked about. Hesitant at the start, Douglass gained force as he gave his first public description to whites of the details of slavery. For many in the audience, abolitionists all, it was a revelation. Garrison was certainly moved.

When Douglass finished speaking, Garrison took to the podium and penetrated to the heart of the matter, asking the delegates:

“Have we been listening to a thing, a piece of property, or to a man?”

A man! A man!” the white abolitionists shouted in reply.

“And should such a man be held as a slave in a republican and Christian land?”

“Never! Never!”

As much as Garrison and his newspaper were a godsend to Douglass, now the runaway ex-slave appeared as a godsend to the Anti-Slavery Society. Here was an eyewitness to the horrors of slavery whose testimony was beyond rebuttal by Southern slavers. Straightaway, Garrison offered Douglass a role as a paid public speaker for the Massachusetts anti-slavery group and launched him on a three-month tryout as a “general agent,” which opened the chance to leave his life of “rough labor” for a life where his tools would be his own powerful words. Now, he would apply all the lessons in rhetoric he learned in that precious book from his childhood, The Columbian Orator.

Frederick hit the road around New England and New York, describing his childhood in slavery on the Eastern Shore. In 1843, Douglass began working as a public speaker for the larger, national American Anti-Slavery Society, and he started traveling farther afield, reaching towns across Ohio, Indiana, and Pennsylvania. The work was important but, inevitably, repetitive. Eventually, Douglass tired of the constant retellings of his life story, and he began to chafe. “Give us the facts,” one of his abolitionist backers said. “We will take care of the philosophy.” But Douglass was not content. “It did not entirely satisfy me to narrate wrongs; I felt like denouncing them.”

So, he returned to Anna and their two children in Massachusetts, and he took up the challenge of getting his own experience down on paper. With encouragement and printing assistance from Garrison, Douglass wrote and wrote, more than 36,000 words in all. The result, in May 1845, was his debut in print, a step that allowed Douglass to take his place among the small number of published Black book authors in the United States. The book, which was the original version of his autobiography, was a great piece of writing – a work that not only bore witness to the wrongs of slavery but also demanded that justice be done. It was not the first life-narrative written by a former slave, nor the last, but it was the most influential.[ix] Despite his lack of experience, Douglass proved to be a powerful writer. The book was titled Narrative of the Life of Frederick Douglass, An American Slave. As if to anticipate the doubters, he added a revealing subtitle:

WRITTEN BY HIMSELF.

Although similar statements appear in other slave narratives, that is a line that white authors never felt the need to state. But in a real sense, Douglass was using the assertion of authorship to stake a claim for himself as a full human being.

Frontspiece from Douglass’s 1845 Narrative.

The compact book opened with a preface by Garrison, who assured readers that Douglass had actually written it and that Douglass’s experiences were representative of life under slavery. Douglass’s Narrative sold remarkably well—30,000 copies within five years—placing it among the era’s best-sellers.[x] And it had the desired effect. Here at last, beyond refutation by Southern apologists, was the snarling, hideous, bare face of slavery. These were no white traveler’s tales and no work of the imagination. In one declarative sentence after another, Douglass supplied names and dates and details. He provided as many real facts and eye-witness episodes as he felt he could without putting himself or his allies at greater risk of capture. Seven years before Harriet Beecher Stowe published her novel about slavery, Uncle Tom’s Cabin, Douglass showed his readers the routine beatings, the gruesome whippings, the sexual predations—the whole sordid spectacle, all from the point of view of an intelligent, sensitive boy growing to manhood.

As it happened, Douglass’ Narrative ultimately vindicated the fears of his former enslaver. Letting an enslaved child learn to read and write threatened the entire system of slavery. In a few more years, Douglass’ words would do as much as anything to bring the hated institution crashing down.

[Adapted from a forthcoming cultural history The Democratic Art: The Role of Journalism in the Rise of American Culture. Christopher B. Daly is the author of Covering America: A Narrative History of a Nation’s Journalism.]


[i] Daniel Walker Howe, What Hath God Wrought: The Transformation of America, 1815-1848. Chap 1.

[ii] Running away with himself” . . . Bondage, LoA, 217-18.

[iii] For Auld’s thoughts on slavery, see Narrative, 37-8 and Bondage, 217-18.

[iv] Into a brute . . . Bondage, LoA, chap XV.

[v] Living on his own . . . Blight, 78-80.

[vi] For details on the reality of escape during Douglass’s time, see John Gatrell, “Slavery, Resistance, and Flight.” Found at the Maryland State Archives. http://slavery.msa.maryland.gov/html/antebellum/essay7.html Also helpful is the publication “Blacks Before the Law in Colonial Maryland,” found in the Maryland Archives special collections.

[vii] Blight, chap. 6.

[viii] … all on fire. Narrative, LoA, 96. On Garrison’s life and career, I rely on All on Fire: William Lloyd Garrison and the Abolition of Slavery by Henry Mayer (1998).

[ix] In his introduction to the anthology The Classic Slave Narratives, the scholar Henry Louis Gates, Jr., surveys the work of scholars who have found more than 200 slave narratives in all, written both before and after the Civil War.

[x] The best-selling book of the time was no doubt the Bible. After that, the ranks of popular works, until Stowe’s Uncle Tom, were all written by white men – from poets like Poe and Longfellow to novelists like Cooper and Irving to nonfiction writers like Webster and Audubon.

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The Pentagon Papers @ 50


From the Washington Post “Made by History,” June 13, 2021

Chris Daly

Made by History

Perspective

Fifty years ago the Pentagon Papers shocked America — and they still matter today

We still confront questions about press freedom and the public’s right to know government secrets

Front pages from the The Washington Post and the New York Times when they published stories about the Pentagon Papers in June 1971. (The Washington Post)
Image without a caption

By Christopher B. Daly

Christopher B. Daly is a reporter, historian and professor at Boston University and the author of the prize-winning study of the history of U.S. journalism titled “Covering America.”

The 1971 Supreme Court ruling on the issue has shaped the landscape for reporting on government secrets. It also reminded the American people of something essential for our democracy to function, then and now: Voters have the ultimate power to tell the government what to do and not do in their name. To accomplish that, though, they first have to know what their government is up to.

It all began in 1967, at the height of the U.S. military intervention in Vietnam. Defense Secretary Robert McNamara could see that the United States was not winning, and he wanted to know why. So, he ordered an internal review of what had gone wrong.

One of the analysts who would produce an answer for McNamara was Daniel Ellsberg, an ex-Marine who had served in Vietnam, come home to get a Ph.D. and worked at the Rand Corp. He had a high-level security clearance and a keen mind. Originally a supporter of the U.S. war effort, Ellsberg was undergoing a conversion into an opponent of the war.

Then, he faced the question of what to do about it. As a contributor to the study ordered by McNamara, he had access to a set of the final Pentagon report. He wanted the public to see what he had found: that Vietnam was a disaster, one into which president after president had led us deeper and deeper, always claiming that victory or “peace with honor” was just around the corner while knowing better.

With the idea of divulging its contents, Ellsberg began secretly photocopying the study in October 1969. Aside from the legal issues, copying the Pentagon Papers was a physical challenge. Each set ran to 47 volumes, about 7,000 pages of documents and analysis classified as “TOP SECRET — SENSITIVE.”

As Ellsberg well knew, the Pentagon Papers included secrets — everything from plots to carry out coups to estimates of other countries’ intentions. What it did not include was just as important. The Pentagon Papers contained almost nothing of any military value to an adversary. It was primarily a history of policymaking.

Ellsberg’s first thought was to get the Pentagon Papers released through a member of Congress, hoping that one of them would use his congressional immunity to introduce the papers into the Congressional Record. In the end, they all declined. So Ellsberg turned to the press.

In his mind, there was one obvious choice: New York Timesreporter Neil Sheehan. Earlier, Sheehan had covered the war in Vietnam, and Ellsberg believed (correctly) that Sheehan was opposed to continued U.S. involvement.

Sheehan, who died earlier this year, never identified Ellsberg as his source and never explained in detail how he acquired the Pentagon Papers. All he would say publicly was that he “got” or “obtained” the study — which was true as far as it went.

Once he did and the Times decided to commit to the story, the paper set up a secret “newsroom” at the midtown Hilton in New York City. The set held by the Times represented an unprecedented breach of the national security classification system, and anyone in possession of the report could face criminal charges, not merely of stealing government property but perhaps even of espionage or, ultimately, treason.

In one room at the hotel, Times publisher Arthur “Punch” Sulzberger assembled the newspaper’s lawyers to help him decide whether to publish anything at all. In another room, he assembled a select group of the newspaper’s senior editors and top reporters to wade into the documents and help figure out what to publish.

It all came down to Sulzberger. He would have to put all his chips — the paper he loved, his family’s legacy, the good of his country — on the table. He decided to publish.

So, on Sunday, June 13, 1971, the New York Times carried this banner headline:

VIETNAM ARCHIVE: PENTAGON STUDY TRACES

3 DECADES OF GROWING U.S. INVOLVEMENT

The lead article, written by Sheehan, reported that a “massive” study commissioned by McNamara showed that four presidential administrations “progressively developed a sense of commitment to a non-Communist Vietnam, a readiness to fight the North to protect the South and an ultimate frustration with this effort to a much greater extent than their public statements acknowledged.” Significantly, the Times promised more articles and more documents in the following days.

At first, President Richard M. Nixon did nothing. After all, the summary he got from aides suggested that the Pentagon Papers were mainly critical of Presidents John F. Kennedy and Lyndon B. Johnson — both Democrats. But, fearing that he might look weak if he ignored the leak, Nixon eventually ordered a response.

On Tuesday, June 15, 1971, government lawyers asked the federal court in Manhattan to enjoin the Times from publishing anything further about the Pentagon Papers. That was a momentous step. It was the first time since the adoption of the U.S. Constitution that the federal government had tried to impose “prior restraint” on a newspaper, on grounds of national security.

From the newspaper’s point of view, the issue was the plain meaning of the First Amendment, with its sweeping ban against abridging the freedom of the press. From the president’s point of view, the issue was his duty as commander in chief to safeguard the nation by keeping its military, intelligence and diplomatic secrets, particularly in times of war.

In court, both sides pounded the Constitution. Judge Murray Gurfein, who had just been appointed by Nixon, promptly granted the government’s request for a temporary restraining order and set a hearing for three days later. The Times obeyed this order.

Later that week, however, The Washington Post obtained its own set of the Pentagon Papers from Ellsberg, and the newspaper’s staff swung into action, setting up a command center at editor Ben Bradlee’s house in Georgetown. In one room the writers got to work. In another room the editors and lawyers got busy trying to decide whether to publish at all. Like Sulzberger, Katharine Graham, the publisher of The Post, was betting the house — the company, the newspaper, her family’s reputation. She, too, decided to publish.

That Friday morning, The Post carried a front-page story about the extensive Vietnam study, revealing that it now had the same classified materials as the Times. Government lawyers asked the U.S. District Court in Washington to impose prior restraint on The Post. While Judge Gerhard Gesell refused, the U.S. Court of Appeals for the D.C. Circuit reversed him, forcing The Post to also stop sharing the Pentagon Papers with the American public.

By week’s end, the cases were headed to the Supreme Court on a fast track. Within a week the high court, acting with rare speed, heard arguments and made a ruling allowing the Times and The Post to resume publication. Although the justices wrote nine separate opinions, it was a clear-cut victory for press freedom and the public’s right to know. “The press [is] to serve the governed, not the governors,” as Justice Hugo Black put it.

An edited version of the Papers was soon published in book form, and the American people could finally see for themselves that one president after another had misled them about the war.

Even so, the victory for the people’s right to know left many issues unsettled.

In recent years, the issue of leaks to the news media has persisted. During the Trump administration, for example, officials gathered metadata about the phone records of Washington Post reporters and went after a CNN reporter’s phone and email records.

Democrats do it, too. Under President Barack Obama, the federal government set a record for criminal prosecutions of leakers, and those cases often involved journalists being hauled into court and ordered to reveal their sources or face time in jail.

Aside from punishment for government employees and contractors who leak, the issue of “publication” is more complicated than before. Thanks to the rise of digital platforms on the Internet, such as WikiLeaks, the notion of “prior restraint” is a bit antiquated, since publication now takes place globally at the speed of light.

The Pentagon Papers also pointed out another problem that remains unresolved: the excessive use of classification to keep all kinds of material away from the public.

The real issue for our time remains whether governments have (or should have) the power to chill unauthorized leaking by punishing individuals after the fact. Ultimately, however, the issue is not what rights leakers or journalists may have. In the end, the paramount issue is the public’s right to know what the government is doing. Lacking that knowledge, no people can long govern themselves.

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Journalism jobs: Digital now outnumbers print

By Christopher B. Daly

Two important trend lines have recently crossed, probably forever. The number of jobs in the U.S. newspaper sector has now dipped below the number of jobs in the digital media. Newspapers are not dead, but they are no longer the center of gravity for the news business. Thus ends a dominance that began in the 17th century and reached a peak in the 20th century before cratering in the 21st century.

That is one of the major findings in a new study from the U.S. Bureau of Labor Statistics, documenting what many have long noticed: American newspapers are no longer the driving wheel of American journalism. The past belonged to the printing press, but the future belongs to the web.

Here’s the big picture:

Jobs in news

Here are some highlights:

–The purple line that starts so far above the others in 1990 represents all employment in the newspaper industry. It’s worth noting that the BLS counts everyone who works at a newspaper, not just the newsroom crew. So, this is just a rough approximation of the employment situation of journalists — reporters, photographers, videographers, podcasters, editors, producers, and others who are directly involved in gathering and disseminating news. That is a much harder number to track.

–Newspaper employment took a hit in the early 1990s, then sort of plateaued, took a steeper hit when the “tech bubble” burst in 2001 (taking with it a lot of full-page ads), and then really dove in the Great Recession of 2008-9. Since then, the downward trend has slowed a bit, but the trend from 2009 to 2016 gives no reason to think that newspapers are coming back.

–The BLS also provides a helpful monthly chart of the data used to draw all those lines. Here are some salient details I found in the data tables.

Screen Shot 2016-06-09 at 11.23.24 AM

–Looking deeper into the numbers, it is heartening to see that the overall numbers of jobs in all these industries combined has not dropped very much, having fallen about 3 percent over 26 years. The biggest proportional hit seems to have occurred in “books” — which I take to mean the publishing industry as a whole. While a small number of journalists make a living by writing non-fiction books, it is probably a very small group that depends primarily on their book royalties.

–The big gainer is “Internet publishing and broadcasting.” It’s hard to imagine how 28,800 people made a living putting stuff online in 1990 (which was before the Web became ubiquitous), but there is no mistaking that web-based activities have been on a surge.

–The other big gainer in the last quarter century has been “Motion picture and video production.” It is unclear from the BLS definitions of its categories what fraction of all those folks could be considered journalists. Probably a lot of them work in Hollywood or other venues where they produce content that is fictional or promotional. Still, it is a rough indicator of where the growth is.

One question that these data raise is this: what will journalists of the future need to know and do?

About a decade ago, my colleagues and I began a deep re-think of our curriculum to bring it out of the days of print newspapers, glossy magazines, film-based photography, and broadcast television. We eliminated our separate, medium-based “concentrations” and decided that all our students should be educated as digital journalists. We tore out our darkrooms, converted to all-digital photography, and decided that all our students need to be competent in “visual journalism.” We ramped up our instruction in shooting and editing video. We converted our student radio station to digital and embraced podcasting. We decided that essentially all our coursework should be multimedia. Like other journalism programs in U.S. universities, we found that it was not easy, but it was a matter of survival.

As a specialist in the history of journalism, I spend a lot of time thinking about the centuries when the newspaper ruled the field. The newspaper had a good long run, but it is clearer every year that newspapers not only documented history, they are history.

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Trump is dangerously wrong on libel: Why journalists need Constitutional protections

By Christopher B. Daly

In his recent remarks, Republican presidential candidate Donald Trump issued a thinly veiled threat to the news media: if he’s elected, he will (somehow) change the country’s libel laws to make it easier for him and others to sue the news media. It’s an issue with a history that is worth remembering.

Here’s Trump (from CNN):

“One of the things I’m going to do if I win… I’m going to open up our libel laws so when they write purposely negative and horrible and false articles, we can sue them and win lots of money,” Trump said during a rally in Fort Worth, Texas.

“We’re going to open up those libel laws so when The New York Times writes a hit piece, which is a total disgrace, or when the Washington Post, which is there for other reasons, writes a hit piece, we can sue them and win money instead of having no chance of winning because they’re totally protected,” he said. “We’re going to open up libel laws and we’re going to have people sue you like you’ve never got sued before.”

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Trump in Fort Worth (Getty)

 

Trump, who has lost a libel suit in the past, took his usual menacing tone and framed the issue as a conflict between himself and the media. The party that is missing from that formulation is the American people, who are the real clients of the First Amendment. That is the amendment that says, in part: “Congress shall make no law abridging the freedom of the press.”

And that press freedom extends into the realm of libel, as I explained in my history of 51zTMdE6eDL._SX342_BO1,204,203,200_this country’s journalism, Covering America. Trump is not the first public figure to try to use the libel laws as a backdoor way to achieve the ultimate goal of intimidating and controlling the news media. Here’s an excerpt from Covering America:

 

One of the greatest potential threats to the national coverage of the South arose in 1960 in Montgomery, Alabama. The means of intimidation was not the usual one—violence or the threat of it—but the legal system itself. At risk was the ability of the news media even to cover the movement in an honest, independent way.

The threat first arose in April 1960 as an unintended consequence of a decision by a group of civil rights activists to place a full-page advertisement in the New York Times decrying the “unprecedented wave of terror” being imposed on the Reverend Dr. Martin Luther King Jr. and student activists. The ad stated: “Again and again, the Southern violators have answered Dr. King’s peaceful protests with intimidation and violence. . . . They have bombed his home almost killing his wife and child. They have assaulted his person.” For good measure, the ad charged “grave misconduct” on the part of Montgomery officials as a group.

The city’s police commissioner, L. B. Sullivan, was incensed and decided to sue the Times for libel. (It didn’t matter that the offending passages were in the form of an advertisement and not a news story produced by a Times journalist; under U.S. law, a publisher is equally responsible for all content. It also didn’t matter that Sullivan was not singled out by name in the ad; under U.S. law, if an individual can reasonably be identified, that is enough.) Sullivan sued for $500,000 in an Alabama state court, charging the Times with publishing damaging falsehoods about him. The threat was clear: if Sullivan won, no paper could afford to cover the civil rights movement. “Silence, not money, was the goal,” as one recent history puts it.

For the Times’ Southern correspondent, Claude Sitton, the suit meant that he had better hightail it out of Alabama to avoid being subpoenaed, so he headed straight for the Georgia line, leaving Alabama essentially uncovered for the next two and a half years. For the paper’s lawyers, however, fleeing to another state was not an option, though they tried. It was difficult even to find a lawyer in Alabama who would agree to represent the Times. When one was finally found, the lawyers decided that their only recourse was to argue that the suit did not belong in an Alabama court, since the paper did hardly any business in the state. The jurisdictional argument didn’t work. The paper lost in the circuit court in Montgomery (where the judge criticized “racial agitators” and praised “white man’s justice”), and Sullivan was awarded the full $500,000—the largest libel judgment in that state’s history. The Times appealed, only to lose again. Further appeals did not look promising, since the U.S. Supreme Court had held that journalists had no constitutional protections against libel claims. So far, the use of the courts to silence the press was working.

The passage through all those courts took years, but the Times did not give up. Whatever the publisher and editors thought about civil rights, they were professionally committed to upholding ournalistic principles and prerogatives. The final appeal was argued before the U.S. Supreme Court on January 6, 1964. The stakes were high. “The court would decide nothing less than how free the press really could be,” one observer has noted. “If the decision went against the Times,would reporters be vulnerable to every libel claim filed by a ticked-off sheriff?”

And it wasn’t just the Times that was at risk. All told, Southern officials had filed some seventeen libel suits against various news media, seeking damages that could total more than $288 million. If they succeeded, the cost of covering race in the South would be so prohibitive that even the wealthiest national news media would have to pack up and go home.

On March 9, 1964, the Court issued its unanimous ruling in the Sullivan case—in favor of the Times. The ruling, a milestone in expanding press freedom, rewrote many of the rules under which journalism has been practiced ever since. The key finding was that the law of libel had to yield to the First Amendment. The Court held that if the award to Sullivan were allowed to stand, the result would amount to a form of government censorship of the press, tantamount to a de facto Sedition Act, forcing every journalist to prove the truth of every statement, which would in turn lead to self-censorship. Instead, the high court said that “debate on public issues should be uninhibited, robust, and wide-open, and that it may well include vehement, caustic, and sometimes unpleasantly sharp attacks on government and public officials.”

To make sure that journalists had the breathing room they need to report on and editorialize about the performance of public officials, the Court determined that libel should not be used to trump press freedom. Public figures like Sullivan, who voluntarily enter the public arena by seeking office, must expect to take some criticism. Henceforth it would not be enough for a public official who wanted to win a libel suit just to prove that the published material was false and defamatory. Plaintiffs would have to meet a higher burden of proof, which the Court defined as “actual malice,” a legal term meaning that the material in dispute was published with the knowledge that it was false or with “reckless disregard” for the truth.

Either way, public figures would have a much harder time winning such suits. The Times—and the rest of the media—were free to go back to Alabama and wherever else the civil rights story took them. . .

For more on these issues, see the classic work by NYT journalist Tony Lewis, Make No Law. There is also a very worthwhile discussion in The Race Beat, by Gene Roberts and Hank Klibanoff.

 

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My favorite films about journalism

By Christopher B. Daly

This weekend marked the general release of the terrific new film “Spotlight,” about the team of investigative journalists at the Boston Globe who broke the prize-winning story about the widespread abuse of children by Catholic priests. The film, as I noted in my review, is a much-needed valentine to traditional news media, praising their willingness to use their resources in pursuit of telling the truth and holding the powerful accountable.

“Spotlight” is already being hailed (to use a bit of journalese) as one of the best films of all time about journalism. Which raises the question:

What are the best films about journalism?

Here’s my annotated list:

[I like all of these films, for one reason or another, so I am not ranking them. Instead, they are arranged chronologically, which makes some interesting points about the evolving view of journalists over time. I had never noticed how many of these come in clusters, which must be a lagging indicator of something.]

 

I COVER THE WATERFRONT (1933)

Claudette Colbert plays a smuggler’s daughter who is being investigated by a reporter, played by Ben Lyon. Complications naturally ensue. Fun fact: The title song was recorded by Billie Holiday, Frank Sinatra and others.

 

HIS GIRL FRIDAY (1940)

Dir. Howard Hawks. My personal favorite. Watch Cary Grant and Rosalind Russell at the top of their games in a romp through Chicago journalism of MV5BMTM3ODQ2Mzg0MF5BMl5BanBnXkFtZTYwNjM3ODA5._V1_UX100_CR0,0,100,100_AL_the 1920s. HGF features an epically dense screenplay, as the two leads constantly talk over each other. One memorable zinger after another. From the play, “The Front Page,” written by journalists Ben Hecht and Charles MacArthur.

 

FOREIGN CORRESPONDENT (1940)

Dir: Alfred Hitchcock. Joel McCrea plays a young American reporter in London on the eve of WWII, trying to expose enemy agents (as all good journalists just naturally do!). Ben Hecht is one of the writers, though uncredited.

 

CITIZEN KANE (1941)

The cinematic masterpiece from Orson Welles, who wrote, directed and MV5BMTQ2Mjc1MDQwMl5BMl5BanBnXkFtZTcwNzUyOTUyMg@@._V1_SY317_CR0,0,214,317_AL_starred. It’s a thinly veiled biography of William Randolph Hearst, who hated it and did all he could (which was a lot) to try to suppress it. Welles gets the last laugh. Screenplay co-credit goes to Herman J. Mankiewicz.

 

 

WOMAN OF THE YEAR (1942)

The first of the nine Hepburn/Tracy films. Two rival reporters meet cute and marry not-so-cute. Kate Hepburn plays a version of the real-life columnist Dorothy Thompson. Spencer Tracy wishes his globe-trotting, multi-lingual wife were home a bit more often. Ring Lardner Jr. shares screenwriting credit.

 

GENTLEMAN’S AGREEMENT (1947)

Gregory Peck plays a journalist who decides to investigate anti-semitism by pretending to be Jewish himself. Peck at his righteous best. Screenplay by Moss Hart, based on novel by Laura Z. Hobson.

 

CALL NORTHSIDE 777 (1948)

Jimmy Stewart, who knew his way around a fedora, plays a Chicago reporter who re-opens a cold murder case in this film-noir drama.

 

SWEET SMELL OF SUCCESS (1957)

Burt Lancaster, depicts gossip columnist Walter Winchell. Tony Curtis, MV5BNTk2MzU2ODc3NV5BMl5BanBnXkFtZTcwNDU1MjkyMw@@._V1_UY105_CR6,0,105,105_AL_plays an oily, sycophantic p.r. agent. A noir masterpiece that explores the careers of people who don’t know how not to manipulate others. One of the screenwriting credits goes to playwright Clifford Odets.

 

ALL THE PRESIDENT’S MEN (1976)

MV5BODAxMTc4ODcxNF5BMl5BanBnXkFtZTcwNDY0NTAyMQ@@._V1_SY317_CR8,0,214,317_AL_The essential celebration of investigative reporting, starring Robert Redford and Dustin Hoffman as Bob Woodward and Carl Bernstein. The film dramatizes the real-life reporting of the Washington Post reporters that led to the downfall of President Nixon. Screenwriter William Goldman wrote the best line, uttered by Hal Holbrook, playing “Deep Throat” in a dark and empty parking garage: “Follow the money.”

 

NETWORK (1976)

Dir: Sidney Lumet. Starring: Faye Dunaway and William Holden. Featuring Peter Finch for his memorable freak-out live on television, urging viewers to join him in ranting: “I’m mad as hell and I’m not going to take it anymore!” Writer: Paddy Chayefsky

 

THE CHINA SYNDROME (1979)

Jane Fonda, Jack Lemmon, and a bearded Michael Douglas star in this drama about white-hat journalists exposing safety problems at a nuclear power plant. Very much in the shadow of the Three Mile Island incident of the same year.

 

ABSENCE OF MALICE (1981)

Dir. Sydney Pollack. Sally Field plays a young reporter who libels Paul Newman (horrors) by publishing leaked information about him that is false and harmful to his reputation. This one causes a lot of journalists to squirm.

 

THE YEAR OF LIVING DANGEROUSLY (1982)

Dir. Peter Weir. Mel Gibson and Sigourney Weaver. Australian reporter, assisted by Linda Hunt, covers Indonesia during a period of turmoil and finds time to romance Sigourney Weaver. Could be Gibson’s career high.

 

THE KILLING FIELDS (1984)

Sam Waterston depicting NYTimes correspondent Sydney Shanberg covering Cambodia during the appalling regime of the Khmer Rouge. Terrific performance by first-time actor Haing S. Ngor, portraying the Cambodian photojournalist Dith Pran.

 

BROADCAST NEWS (1987)

Dir. James L. Brooks. A romantic triangle involving William Hurt, Albert Brooks, and their boss, the incomparable Holly Hunter. Set in a MV5BMTMwMzg2Mzc1OV5BMl5BanBnXkFtZTYwNjY4ODk4._V1_UX100_CR0,0,100,100_AL_television newsroom, the main characters manage to address real journalistic issues without preachy speeches. Written by James L. Brooks, no relation to Albert. (who also wrote the newsroom-based TV shows Mary Tyler Moore and Lou Grant).

 

THE PAPER (1994)

Dir: Ron Howard (formerly Opie on Mayberry). Michael Keaton plays Henry Hackett, the city editor of a NYC tabloid, in a day-in-the-life about a journalist’s crusade for the truth at any cost: major fight with wife, lost job at the New York Times, etc. Highlight: the knock-down brawl with Glenn Close.

 

WAG THE DOG (1997)

Dir. Barry Levinson. An acidic satire of Washington’s manipulation of the mass media. Starring Robert DeNiro as a political operative who enlists a Hollywood producer (Dustin Hoffman) to gin up a photogenic war to divert public attention from scandal. Hoffman envisions was as “a pageant.” From the book by Larry Beinhart.

 

FEAR AND LOATHING IN LAS VEGAS (1998)

Dir.: Terry Gilliam.

Benicio del Toro plays Dr. Gonzo himself. In a masterpiece of understatement, IMDb tries to gets its arms around this film this way: “An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.” That about sums it up. From the book by HST.

MV5BMTk4NjQwNTc0OV5BMl5BanBnXkFtZTYwOTQzNTA3._V1_SY317_CR3,0,214,317_AL_

 

THE INSIDER (1999)

Starring Russell Crowe and Al Pacino. Based on CBS investigation into Big Tobacco. Crowe plays a chemist-turned-whistleblower, and Pacino plays TV producer Lowell Bergman as a blow-hard. Christopher Plummer portrays a TV reporter based on Mike Wallace of CBS’s “60 Minutes” – who did not appreciate the insinuation that he pulled punches. Based on Marie Brenner’s article in Vanity Fair called “The Man Who Knew Too Much.”

 

 ALMOST FAMOUS (2000)

Writer/director Cameron Crowe wonders what it would have been like to be a teenager who gets to write a story for Rolling Stone that involves traveling with a rock band on tour. Starring Kate Hudson as the allusive groupie Penny Lane.

 

SHATTERED GLASS (2003)

The sad, miserable story of some guy (I don’t want to even use his name) who bamboozled his editors at The New Republic for an unforgivably long time. The guy’s story pitches were too good to be true, alas. Partial writing credit: journalist Buzz Bissinger.

 

CAPOTE (2005) MV5BMTczMzU0MjM1MV5BMl5BanBnXkFtZTcwMjczNzgyNA@@._V1_SY317_CR0,0,214,317_AL_

In one of his last major roles, Philip Seymour Hoffman does a star turn as the writer Truman Capote as he undertakes the reporting that turned into the non-fiction novel “In Cold Blood.” Catherine Keener plays the young Nelle Harper, Capote’s sidekick and better known as the author Harper Lee of “To Kill a Mockingbird.”

 

GOOD NIGHT, AND GOOD LUCK (2005)

Dir. George Clooney. David Straithairn plays Edward R. Murrow in this heroic biopic. Good as far as it goes, but it pulls punches on what happened to Murrow after he took on Sen. Joseph McCarthy. (CBS sidelined Murrow because he was too overtly political.) Clooney wrote it, too.

 

THE DEVIL WEARS PRADA (2006)MV5BMTMyNjk4Njc3NV5BMl5BanBnXkFtZTcwNDkyMTEzMw@@._V1_SX80_CR0,0,80,80_

Meryl Streep plays an imperious editor of a woman’s high-fashion magazine (a la Anna Wintour at Vogue), and Anne Hathaway plays her plucky assistant. Terrific cast.

 

FROST/NIXON (2008)

A dramatization of the real-life interviews conducted by British talk-show host David Frost with disgraced former president Richard Nixon (see “All the President’s Men”). Frank Langella turns in a very credible Nixon. Fun fact: the role played by Oliver Platt in the film was played in real life by former BU Journalism professor Bob Zelnick.

 

STATE OF PLAY (2009)

Replacing Brad Pitt (who backed out), Russell Crowe plays an old-school Washington reporter covering the death of a congressional aide, with help from perky blogger Rachel McAdams, who tries to teach the old dog Crowe some new reporting tricks found on this thing called the Internet. Fun cameos of actual DC reporters, including Woodward.

 

SPOTLIGHT (2015)

Dir. Tom McCarthy. With help from screenwriter Josh Singer, McCarthy delivers an appreciative bouquet to traditional “accountability” journalism. Based on the true story of the Pulitzer-winning investigative reporting team at the Boston Globe who exposed the rampant sexual abuse and extensive cover-up within the Boston Catholic archdiocese.

*        *         *      *       *       *

Honorable mention, TV series:

The Wire, Season 5

Newsroom

Lou Grant

Superman (George Reeves)

See a mild-mannered reporter at The Daily Planet, Clark Kent, turn into a righteous super hero. If only all reporters could be caped crusaders.

 

Honorable mention, documentaries:

Reporting America at War

Control Room

Around the World in 72 Days

Outfoxed

 

 

[For more info, see the website Image of Journalism in Popular Culture at USC]

 

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Remembering Tony Lukas, teller of true stories

By Christopher B. Daly 

As a service to my readers, I am posting this brief life of Tony Lukas, author of “Common Ground” and many other fine works of narrative non-fiction. I wrote this for American National Biography Online, a marvelous authoritative resource for information about prominent Americans.

Tony Lukas

Tony Lukas

Lukas, J. Anthony (25 Apr. 1933-5 June 1997), Pulitzer Prize-winning journalist and author, was born Jay Anthony Lukas in New York City to Edwin Jay Lukas, a prominent civil rights lawyer, and Elizabeth Schamberg, an actress. After his mother committed suicide, young Tony was sent to the Putney School, a progressive boarding school in southwestern Vermont. In 1951 he entered Harvard College, where he promptly joined the staff of the independent student-run newspaper the Harvard Crimson. One of his classmates and a fellow editor of the paper was David Halberstam. Lukas graduated magna cum laude from Harvard in 1955 as a member of Phi Beta Kappa and pursued graduate studies at the Free University of Berlin. From 1956 to 1958 he served in the U.S. Army, stationed in Japan, where he wrote for the Voice of the United Nations Command.In 1959 he got a job at the Baltimore Sun covering the police beat for $105 a week. He quickly made his mark and took on a variety of assignments. Seeking a foreign assignment that the Sun could not provide, he joined the New York Times in 1962. He was once again on the same staff as Halberstam, and the two ambitious rivals crisscrossed the globe on assignment. Lukas served in the paper’s metro, Washington, and UN bureaus before going abroad and filing dispatches from Ceylon (now Sri Lanka), India, Japan, Pakistan, South Africa, Zaire (now the Democratic Republic of the Congo), and elsewhere. Eventually he joined the staff of the New York Times Sunday Magazine.

Lukas won his first Pulitzer Prize in 1968 in the category of Local Investigative Specialized Reporting for a feature story he wrote for the Times about the life and murder of Linda Fitzpatrick, an affluent young woman caught up in the drug culture of New York City. Feeling out of touch with the youth of his own country after many years abroad, Lukas delved more deeply into Fitzpatrick’s story and widened the scope of his reporting to include a number of other young Americans. He later told their stories in a multiple biography titled Don’t Shoot–We Are Your Children! (1971).

During the same period, Lukas spent a year back in Cambridge as a Nieman fellow at Harvard. Returning to the Times, Lukas became a roving national correspondent based in Chicago. There, he plunged into covering the trial of the “Chicago Eight” (later reduced to the “Chicago Seven”)–political radicals accused of conspiring to riot at the 1968 Democratic National Convention. Making regular trips to the U.S. district court in Chicago, Lukas covered the trial from the fall of 1969 through the winter of 1970. During their five-month trial, the defendants cursed loudly and often in the courtroom. Since the Times style rules forbade the use of obscenities, Lukas littered his trial stories with the phrase “barnyard epithet” instead. That reporting resulted in The Barnyard Epithet and Other Obscenities: Notes on the Chicago Conspiracy Trial (1970).

In the early 1970s Lukas dove into freelance assignments for major magazines, including the Atlantic, Columbia Journalism Review, Esquire, Harper’s, the Nation, and the New Republic. In 1971 he became a cofounder of MOREmagazine, which engaged in a critical examination of journalistic methods and ideals. The magazine, which was widely read by journalists, lasted seven years. Lukas also helped found the Reporters Committee for Freedom of the Press, which provided free legal counsel for journalists, along with other services to the profession.

His next major project was an examination of the Watergate scandal. In April 1973 the New York Times Magazineasked Lukas to look into the abuses of power committed by President Richard Nixon. That assignment grew into the book Nightmare: The Underside of the Nixon Years (1976). Consumed by the story and determined to write a coherent narrative of the notoriously opaque Watergate saga, Lukas produced a nearly six-hundred-page book that cemented his reputation as a deep researcher.

For several years Lukas held a series of positions that allowed him to continue to research and write books. In 1976-1977 he was a fellow at Harvard’s Institute of Politics. The next year he was an adjunct professor at Boston University’s School of Public Communications. During 1977-1978 he took part in the Study Group on Urban School Desegregation sponsored by the American Academy of Arts and Sciences in Cambridge. He credited the group, especially the education scholar Diane Ravitch, with deepening his understanding of issues of equity in education. In 1978-1979 he had a Guggenheim Fellowship, and in 1979-1980 he was an adjunct lecturer at Harvard’s Kennedy School of Government. In 1982 he married Linda Healey, an editor at Pantheon Books.

Starting around 1978, Lukas began the research for a book about Boston’s response to court-ordered school desegregation, usually known as “the busing crisis.” The result was his masterpiece, Common Ground: A Turbulent Decade in the Lives of Three American Families (1985). Blending history, journalism, and sociology, Lukas created a braided narrative of three Boston families–one Yankee, one Irish, and one African American–to illuminate the forces that led to the federal court order to desegregate Boston public schools and the aftershocks of that ruling. Common Ground was hailed as a major work for its treatment of race and class in modern America, and it won the Pulitzer Prize for General Nonfiction in 1986 as well as the National Book Award and many other prizes.

Around this time Lukas began to suffer from depression. Still he continued to work. Lukas came out of the experience of writing the Boston book with a greater awareness of the role of class in American life. That interest drew him to a time in American history, the early twentieth century, when class warfare seemed plausible and perhaps imminent. The result was his final book, Big Trouble: A Murder in a Small Western Town Sets Off a Struggle for the Soul of America. A sprawling work of history and reportage, Big Trouble tells the story of the miners’ struggles in the West and the mysterious assassination of a former governor of Idaho.

On 5 June 1997, while he was in the late stages of completing Big Trouble, Lukas committed suicide in his apartment on the Upper West Side of Manhattan. At the time of his death, he was president of the Authors Guild. Published posthumously, Big Trouble was a finalist for the Pulitzer Prize in history in 1998. After his death, the J. Anthony Lukas Prize Project Awards were established in his honor. The prizes, awarded annually and co-administered by the Columbia University Graduate School of Journalism and Harvard’s Nieman Foundation, recognized excellence in nonfiction that addressed a political or social concern.

Tall, rumpled, and sad-eyed, J. Anthony Lukas was a tenacious reporter and researcher, known for conducting extensive interviews and accumulating mountains of facts. He was a reporter’s reporter, famous for his epic research. Throughout his career, Lukas elevated the standards of American journalism, both in his work with professional organizations and in his masterful demonstrations of narrative nonfiction.


BibliographyLukas’s papers–including manuscripts, letters, and subject files–were donated to the Wisconsin Historical Society, Madison. His reporting can be found in the online archives of the Harvard Crimson, the New York Times, and the many magazines he wrote for. Lukas was the subject of many interviews and profiles, notably a sketch by John McPhee in the New Yorker, 30 June 1975, and an alumni note in Harvard Magazine, Sept.-Oct. 1997, which includes a fond reminiscence by David Halberstam. A detailed assessment of Common Ground appeared in the Columbia Journalism Review, Jan. 2014. Lukas’s brother, Christopher, addressed his family’s history of suicide in his book Blue Genes (2008). Obituaries appeared in the New York Times and Washington Post, 7 June 1997, and a tribute appeared in the Baltimore Sun, 9 June 1997. Also helpful is a remembrance by the Washington Post book editor Jonathan Yardley in the Post on 9 June 1997.

Christopher B. Daly


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American National Biography Online Feb. 2000.
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The Monday Media Rdp

By Christopher B. Daly 

I’m still missing my friend and colleague David Carr, whose Media Equation column was usually my first citation in these blogposts. (I wonder what he’d be saying about Bill O’Reilly — and how much of that could get past the NYT copy desk.)

In my mind, one of the worst things O’Reilly has ever done was to say the following (which he has not disputed) to a NYTimes reporter who called him to get his side of the controversy, which is a fundamental principle of journalism:

‘I am coming after you with everything I have,’ Mr. O’Reilly said. ‘You can take it as a threat.’

Elsewhere in the NYTimes:

–Frank Bruni had a penetrating piece Sunday on the faults of the political press corps, especially the 01BRUNI-articleLargeband of reporters who cover the presidential primaries. Having done a bit of that myself in 1987-88, 1992, and 1996, I can affirm that it’s not a pretty picture.

I agree with Bruni that the political press corps would do us all a favor if they would just stop covering Iowa and New Hampshire. That alone would elevate our national political life.

I would add this: most political reporters spend far too much time covering candidates and far too little time covering voters. Turn the lens around!

–Today’s Times brings news that the News Corp. is considering re-hiring Rebekah Brooks, the disgraced (but not convicted) former boss of Rupert Murdoch’s British empire. Raising the question (see O’Reilly above): If they like you, what does it take to get fired by the Murdoch/Ailes crew?

Further afield:

–On CNN’s “Reliable Sources,” Brian Stelter continues to pull away from his predecessor by doing more reporting, by avoiding Washington-style bickering, and by providing a demonstration of good journalism in practice. To his credit, he has continued to report the O’Reilly story, not just milk it.

The New Yorker is observing its 90th birthday, as only the brainchild of Harold Ross could. From the magazine’s troubled first year, here’s a piece titled “Why We Go to Cabarets: — an article that, according to a digressive story in the current issue by Sandy Frazier, saved the New Yorker‘s bacon by attracting the kind of young, fashionable readers that Ross was seeking. Fun fact: the 1925 Cabarets piece was written by Ellin Mackay, better known as Mrs. Irving Berlin.

Next up: I want to read the magazine’s story by A.J. Liebling about D-Day.

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–30–

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Journalist Ben Franklin inspires India’s PM

By Christopher B. Daly

imagesBy one account, India’s Prime Minister, Narendi Modi, has drawn inspiration from the life story of Ben Franklin — colonial-era printer, proto-American journalist, and publishing success.

In a recent radio address in conjunction with President Obama’s visit to India, Modi hailed Franklin.

. . .your question is, who has inspired me. I liked reading as a child. And I got an opportunity to read the biography of Benjamin Franklin

“And I tell everyone, we should read Benjamin Franklin’s biography. Even today, it inspires me. And Benjamin Franklin had a multi-dimensional personality. He was a politician, he was a political scientist, he was a social worker, he was a diplomat. And he came from an ordinary family. He could not even complete his education. But till today, his thoughts have an impact on American life,” he added.

It is unclear (to me, at least) whether Modi is referring to Franklin’s famous “Autobiography” or to one of the many fine biographies of BF (although most of the best ones were written long after Modi’s childhood; my favorites are by Isaacson and Brands.) If it’s the “Autobiography,” then Modi is probably referring to young Ben’s ferocious program of self-improvement and his determination to rise from beyond-humble beginnings to make something of himself. Indeed, 44-benjamin-franklin-1706-1790-grangerthe circumstances of Ben’s early life in Boston, as the 15th child in his father’s large family, were those of deep poverty in a distant fragment of the British Empire. Yet, by the end of his long and remarkable life, Franklin was one of the most accomplished and celebrated figures on the planet.

Need inspiration?

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