Category Archives: New York Times

Dasani’s story — a team effort

By Christopher B. Daly 

By now, most readers of the NYTimes have discovered Dasani, the remarkable girl whose story epitomizes the plight of the 22,000+ homeless in New York City. Kudos to investigative reporter Andrea Elliott and photographer Ruth Fremson.

BTW, the online version has extras. Although the series “Reasons to Dream” did not get the full TimesSnow Fall” treatment, it still looks better online. There are big, gorgeous, poignant, full-color pictures of

Dasani at play. NYT/Ruth Fremson

Dasani at play.
NYT/Ruth Fremson

Dasani and her world, and some videos too.

But not to be missed is this: The full credits at the bottom of the last installment indicate how much institutional heft counts in a series like this.

Here is a brief summary of how they went about it:

SUMMARY OF REPORTING

Andrea Elliott, an investigative reporter with The New York Times, began following Dasani and her family in September 2012. The series is written in the present tense, based on real-time reporting by Ms. Elliott and Ruth Fremson, a photographer with The Times, both of whom used audio and video tools.

Throughout the year, Dasani’s family also documented their lives in video dispatches from the Auburn Family Residence, which does not allow visitors beyond the lobby. Ms. Elliott and Ms. Fremson gained access to the shelter to record conditions there.

The reporting also drew from court documents, city and state inspection reports, police records, the family’s case files at city agencies and dozens of interviews with shelter residents. Most scenes were reported firsthand; others were reconstructed based on interviews and video and audio recordings.

The Times is withholding the last names of Dasani and her siblings to protect their identities. The nicknames of some of Dasani’s siblings are used in place of their birth names.

 

And here is a long list of people who pitched in:

CREDITS

By Andrea Elliott
Photographs by Ruth Fremson

Design, graphics and production by Troy Griggs, Jon Huang, Meghan Louttit, Jacky Myint, John Niedermeyer, David Nolen, Graham Roberts, Mark Suppes, Archie Tse, Tim Wallace and Josh Williams.

Reporting was contributed by Rebecca R. Ruiz, Joseph Goldstein and Ruth Fremson, and research by Ms. Ruiz, Joseph Burgess, Alain Delaquérière and Ramsey Merritt.

 

By my count, that’s 18 people — not to mention all the editors who had a hand (who should also be credited/held accountable). And, of course, Andrea Elliott has done basically nothing else for 15 months — so that in itself is a big commitment.

Plus, the Times is providing the “source notes” (like scholarly footnotes) so that others can confirm or pursue further info. This is a model practice for many other stories.

That’s how it’s done.

 

 

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NY court issues a major ruling for press freedom

By Christopher B. Daly 

Invoking journalism history, New York state’s highest court has ruled that under New York’s state constitution and the state’s version of a “shield law,” a journalist cannot be forced to divulge the identity of a confidential source — even if another U.S. state is trying to extract the information. The ruling, issued Tuesday, was a major victory for press freedom, and not just in New York. But it will have its greatest impact in New York, where so much of the news media operate, because now the highest court in that state has ruled that New York’s own laws grant complete immunity to journalists from any attempts to force them to reveal their sources. Since that court is the ultimate interpreter of the New York state constitution, it is a landmark.

It remains to be seen if a New York journalist can use this new ruling as a shield against federal prosecutors. Federal courts are not obligated to follow the New York state court ruling, of course, but any person who gains more rights under a state constitution or law does not forfeit those rights just because federal law has not caught up. The U.S. Constitution and federal laws establish legal minimums that must be afforded to all Americans, but they do not establish maximums. When it comes to our rights, federal law is a floor, not a ceiling.

Briefly, the case involves Jana Winter, a reporter for FoxNews.com. She went to Colorado in 2012 to report on the horrific mass shooting at a movie theater in Aurora. Expecting a media frenzy, the local Colorado court imposed a “gag order” — that is, a pre-trial order that tries to limit disclosures to the news media in advance of a trial. During the investigation into the crime, police got hold of a notebook that belonged to the suspect, James Holmes, which he had shared with his psychiatrist. Someone divulged the existence of the notebook to the reporter, along with a summary or description of its contents. Colorado authorities consider that a breach of the gag order, and they are stamping their feet to see who disobeyed. All the cops in Colorado say “it wasn’t me,” so the authorities are turning to the journalist and demanding that she rat out her source so they can punish that person. For that, they want to make her travel 2,000 miles to violate a promise she made to her source(s). If she stands firm and refuses to name names, she goes to jail. If she gives them up, she is ruined as a reporter, and the whole enterprise of news-gathering is undermined because all sources will doubt all reporters when they promise confidentiality. [Winter has absolutely no information that is exclusive to her and based on confidential sources that has any bearing on the commission of the crime itself. All she knows about is which Colorado cop (or cops) violated the gag order. Please.]

Many, many courts would rule against the journalist in these circumstances. Judges normally sympathize with their fellow judges and see things their way. Judges normally do not like to see anyone violate their rulings and get away with it. Judges like the idea that what they say, goes. All of which makes this ruling even more remarkable. It was a win-win: the court expanded legal protections for reporters, and it relied in part on a famous case involving an 18th-century partisan journalist to do so.

Here are versions by the New York Times (which should have put this on page 1, not inside the business section) The New Yorker, TVNewser, and Poynter. (Even Fox News had to come down on the side of press freedom in this case.)

Here is the text of the decision, written by Judge Victoria Graffeo. Among the stories I saw, only Poynter actually linked to the decision, which is disappointing — hey, people, there’s this thing called the Internet; let’s take advantage of it. Besides, the decision is well worth reading in full. It is a pro-freedom primer on the history of the freedom to gather news. Here are some key excerpts:

New York has a long tradition, with roots dating back to the colonial era, of providing the utmost protection of freedom of the press. Our recognition of the importance of safeguarding those who provide information as part of the newsgathering function can be traced to the case of “John Peter Zenger who . . . was prosecuted for publishing articles critical of the New York colonial Governor after he refused to disclose his source” (Matter of Beach v Shanley, 62 NY2d 241, 255 [1984] [Wachtler concurrence]). A jury comprised of colonial New Yorkers refused to convict Zenger — an action widely viewed as one of the first instances when the connection between the protection of anonymous sources and the maintenance of a free press was recognized in the new world. In acknowledging the critical role that the press would play in our democratic society, New York became a hospitable environment for journalists and other purveyors of the written word, leading the burgeoning publishing industry to establish a home in our state during the early years of our nation’s history.

That is an important point: New York did indeed become the nation’s media capital. I doubt that the New York State Constitution was much of a causal factor (compared to all the economic ones), but the fact that the industry is now centered in New York City means that many, many journalists enjoy the favored status granted by this new ruling. And the ruling holds that a New York-based journalist is protected by New York’s constitution even when he or she roams into another state or online to do reporting. What remains to be seen is what might happen when a New York-based journalist attempts to use the new ruling in the Winter case against a federal prosecutor who comes around with a subpoena seeking to force a journalist to name a confidential source in a federal investigation or trial.

Judge Graffeo wrote that the protections offered to journalists in New York are ancient, robust, and multiply determined.

To begin with, she wrote, there is the matter of common law. Before New York was even a state, the jury in the 1735 image-crown-zenger-tryal-pageseditious libel case against the printer John Peter Zenger  established through its not-guilty verdict that Zenger did not have to reveal the identity of the author of the offending article. The Zenger case is usually cited as a precedent for the idea that truth is a valid defense in libel cases, but if Judge Graffeo finds the germ of a “shield law” in there, so be it. (For more on Zenger, see “Covering America,” chap 1)

 

Later, New York citizens wrote and ratified a state constitution. It says, in part:

“Every citizen may freely speak, write and
publish his or her sentiments on all subjects
. . . and no law shall be passed to restrain
or abridge the liberty of speech or of the
press” (NY Const, art I, § 8).

In her reading, that language from 1831 constitutes a shield for journalists all by itself, saying it is more expansive than even the First Amendment to the U.S. Constitution and thus affords more protections to New Yorkers than other Americans enjoy under the First Amendment alone.

In addition, Graffeo cites New York state law. In 1970, the New York Legislature adopted a “shield law” that includes an absolute legal privilege for journalists who want to protect the identity of their confidential sources. She said that after considering the views of the likes of Walter Cronkite and Mike Wallace, the Legislature decided to throw its weight into the balance on the side of reporters. The relevant part of that law says:

no professional journalist or newscaster . . .
shall be adjudged in contempt by any court in
connection with any civil or criminal
proceeding . . . for refusing or failing to
disclose any news obtained or received in
confidence or the identity of the source of
any such news coming into such person’s
possession in the course of gathering or
obtaining news for publication

So, Judge Graffeo concludes, journalists in New York are protected by common law, constitutional law, and statutory law. Now, how hard was that? Why do so many judges fail to understand this reasoning? The ruling holds that all these sources of protection for journalists combine to provide evidence of a clear “public policy” in New York state to encourage the practice of journalism within its borders.

But Judge Graffeo was not finished. She noted that the testimony of the journalists that the New York legislators relied upon arose from another case — that of NYTimes reporter Earl Caldwell. In a footnote, she observed

The affidavits were prepared in connection with a motion
to quash a subpoena in a case that was pending when the Shield
Law was under consideration by the Legislature and which involved
an investigative reporter from the New York Times who was
subpoenaed by a Federal Grand Jury in California to testify
concerning knowledge he obtained about the Black Panther
organization. Two lower courts held that the First Amendment
protected the reporter from being compelled to reveal his sources
or disclose information provided to him in confidence, differing
only on whether the reporter could avoid appearing at the Grand
Jury altogether (Caldwell v United States, 434 F2d 1081 [9th Cir
1970] [reporter could not be compelled to appear at Grand Jury],
vacating 311 F Supp 358 [ND Cal 1970][although required to appear

Caldwell, left, with MLK in Memphis, 1968.

Caldwell, left, with MLK in Memphis, 1968.

at Grand Jury, reporter was entitled to protective order
precluding questioning concerning confidential sources or

information]). However, deciding the case with Branzburg v Hayes
(408 US 665 [1972]), the United States Supreme Court disagreed,
holding that the reporter could not rely on the First Amendment
to avoid appearing and giving evidence in response to a Grand
Jury subpoena.

That was a regrettable decision that journalists lost by an eyelash, only because five judges on the U.S. Supreme Court did not understand the U.S. Constitution as well as these New York judges understand the New York constitution. For more on Caldwell, see Covering America, chap 12. For more on the Supreme Court’s ruling, see earlier blog posts here and here.)

 

The new ruling also sends a message to prosecutors in all the other states: don’t bother going on fishing expeditions. If you send us requests to compel a New York journalist to appear in your state’s courts, those will be denied. The opinion says New York will not tolerate harassment of journalists by subpoenaing them to show up halfway across the country just to assert their immunity under the New York shield law. That would be terribly disruptive to their work. Just leave them alone, the court said. Quoting an earlier case, the ruling states:

“Journalists should be spending their time in newsrooms, not in courtrooms as participants in the litigation process”

It’s thrilling to read a judicial opinion written by a judge who actually understands the meaning of a free press and appreciates its value to society. It’s rare — and therefore, I suppose, all the more thrilling.

0      0       0       0       0       0

 

Finally, a hat-tip to the judge, Victoria Graffeo, the former solicitor general for the state of New York who was appointed to the Court of Appeals by Republican Gov. George Pataki to a 14-year term in 2000. No liberal, Graffeo was expected to be a moderate conservative voice on that important bench. Labels aside, she gets credit for getting the point.

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What China really fears: a free press

By Christopher B. Daly 

[Update: TNR weighs in with a piece stressing the perils of self-censorship.]

Through their statements and actions, the leaders of China are showing their true colors. For all their talk about moving toward a more modern, open, accountable society, China’s leaders refuse to budge on one issue. Their policies indicate that what they fear above all — even more than U.S. fighter jets cruising through contested air space — is a free press. Specifically, they fear a U.S.-style press that insists on afflicting the powerful by investigating them.

The evidence is in the Chinese handling of recent revelations by reporters for the New York Times and Bloomberg. American journalists who cover China have made dramatic disclosures about how the families who hold power in China manage to use that power to enrich themselves personally. The bar for this kind of reporting was set by David Barboza of the Times (and a Boston University alumnus, BTW), whose series “The Princelings” won a Pulitzer Prize earlier this year.

The Chinese reaction was characteristically blunt: the government in Beijing pulled the plug on the NYTimes in China, banning the print and electronic editions. Now the government is dragging its heels on renewing the visas that journalists like Barboza need to stay in the country and continue their work.

Here is a quote from a Chinese Foreign Ministry official that captures the issue perfectly:

“As for foreign correspondents’ living and working environments in China, I think as long as you hold an objective and impartial attitude, you will arrive at the right conclusion.”

What this reveals is an outlook that holds that there is a “right conclusion” — which is determined by the Communist Party — and that the task of journalists is to discern the party’s views and stick to them. In other words, don’t rock the boat.

The issue is such an irritant between the U.S. and China that vice president Joe Biden put it on the agenda during his visit to China this week. From today’s NYT version:

Vice President Joseph R. Biden Jr. raised the issue here in meetings with President Xi Jinping and other top Chinese leaders, and then publicly chastised the Chinese on Thursday for refusing to say if they will renew the visas of correspondents and for blocking the websites of American-based news media.Chinese President Xi Jinping shakes hands with U.S. Vice President Joe Biden inside the Great Hall of the People in Beijing

“Innovation thrives where people breathe freely, speak freely, are able to challenge orthodoxy, where newspapers can report the truth without fear of consequences,” Mr. Biden said in a speech to an American business group.

At a meeting on Thursday with Beijing-based reporters from The New York Times and Bloomberg, Mr. Biden said that he warned Chinese leaders, in a formal session and over dinner, that there would be consequences for China, especially in the Congress, if it forced out the journalists. But he said Mr. Xi appeared unmoved, insisting that the authorities treated reporters according to Chinese law.

If only the U.S. had some good options for pressuring the Chinese. We could exclude Chinese journalists from working in the United States, but that’s a terrible idea. We do not want to sink to the level of unprincipled tactics used by the Chinese, and we want to encourage more coverage of America in China, not less.

I don’t have a great answer here, except for patience. It is an article of faith with me that the truth will out and that in the long run, the power of the press will win out. Besides, I have one other reason for optimism: I teach a lot of young Chinese students about American journalism — its history, its principles, its techniques. Most of them go back to China, and when they return they bring some lessons they are unlikely to unlearn.

princelings-landing-page-jumbo

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White House photogs demand access

And they should get it (much as I would like to side with B.U. alum Pete Souza, the official White House photographer).

Here’s a version.

sub-photographers-1-articleInline

 

photographers-2-articleInline

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David Carr on the media: Content for sale

By Christopher B. Daly 

In his latest weekly column, David Carr identifies a growing trend: the paid creation of “content” (formerly known as stories, pieces, etc.) for clients who want to “tell a story” that also happens to advance their commercial interests. He highlights a leader in this new mutation, a website called Contently, which functions as a kind of dating service for journalists and companies. If you visit

Poe (minus the sunglasses)

Poe (minus the sunglasses)

the homepage, which features a full-screen background image of Edgar Allan Poe in aviator sunglasses, you are invited to proceed through one of two portals: “Journalist” or “Company.” In the “manifesto,” the founders explain their win-win proposition:

Those who tell and promote the best stories—in the best ways—will increase in reputation and trust, fans and influence. Journalists will build their personal brands. Businesses will make a difference. Media companies will thrive.

In writing about this phenomenon, Carr shrewdly sidesteps a category problem: what is this kind of material, exactly?

It’s not journalism, that’s for sure. It’s not journalism because it is not produced by independent people who are working for the good of their audience. They are hired guns working for the good of whoever is paying them.

It’s not P.R., exactly, either, because it appears in disguise — sporting a trenchcoat and a fedora borrowed (or stolen, if you will) from journalism. The reason to look and feel like journalism, of course, is to try to cadge some of journalism’s credibility, to bolster the sales pitch buried in these messages. I suppose it is the inevitable result of an over-supply of writers and the ceaseless demand for material that can fool people into buying stuff.

I am inclined to say “Judge not” when anybody can find a way to get a paycheck into a writer’s hands, but I have to say that I don’t have a good feeling about how this story ends.

 

 

 

 

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JFK shooting: TV news grows up fast

By Christopher B. Daly 

With the approach of the 50th anniversary of that fateful day in Dallas, I thought it might be worth re-visiting my account of the assassination. Here is an excerpt from Covering America that looks at the media response to the shooting:

During the Kennedy presidency, television news became more powerful than ever. In the years since the quiz show scandals of the 1950s, television executives had been atoning by lavishing resources on their news divisions. Television sets were in the vast majority of homes by 1960, and the audience for the TV networks dwarfed that of any newspaper and even the readership of the entire Time-Life empire. The media president, Jack Kennedy, also introduced live television coverage of presidential news conferences and proceeded to thrive in the new forum. Television carried more news than ever, to more people.

On November 22, 1963, television was the medium by which many Americans first got the news about the shooting. There it was, right on TV. The president and his wife were in a motorcade with Governor John Connally and his wife. Shots rang out, and the president was rushed to the hospital. No word on the shooter’s identity. It may not have been apparent to viewers, but television executives were scrambling to keep up. The networks did not have the equipment and staff needed to “go live” and put news on the air as it was unfolding. Just off camera it was pandemonium, as executives met to decide how to cover a presidential shooting in the new medium. Eventually they reached a consensus: they would stay with the story, without interruptions and without ads, for the duration. So it was that for three or four days the American people did something they had never done before: they stayed home and attended a funeral via television. If they were watching CBS, they saw Walter Cronkite dab at his eye when he announced the bulletin confirming Kennedy’s death. No matter what network they watched, viewers saw Jack Ruby shoot Lee Harvey Oswald; they saw the flag-draped caisson and the riderless horse; and they saw the salute given by the president’s young son. For the first time (and almost the last, as it happened), nearly the entire country had nearly the same experience at the same time.

CBS News anchor Walter Cronkite struggles to keep his composure on-camera as he announces the news of the death of President John F. Kennedy live on the air on November 22, 1963.     —Getty Images.

CBS News anchor Walter Cronkite struggles to keep his composure on-camera as he announces the news of the death of President
John F. Kennedy live on the air on November 22, 1963.
—Getty Images.

 

 

 

 

 

 

 

In the New York Times, on Monday, November 25, 1963, the front page featured a banner headline across the entire page, stacked three decks deep:

PRESIDENT’S ASSASSIN SHOT TO DEATH

IN JAIL CORRIDOR BY A DALLAS CITIZEN;

GRIEVING THRONGS VIEW KENNEDY BIER

The funeral was planned for later that day. Below the big headline was a photo (from the AP) of Jackie Kennedy and Caroline kneeling next to the president’s flag-draped casket. Underneath was a little single-column story headlined:

JOHNSON AFFIRMS

AIMS IN VIETNAM

Then, this ominous subhead:

Retains Kennedy’s Policy

of Aiding War on Reds

 

[To read my book, order Covering America from Amazon.]

 

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Long live the obit!

By Christopher B. Daly 

An often under-appreciated journalistic form is the humble obituary, known as the obit. The best kind of obit, when well done, is a kind of snap profile. The subject of the ideal profile is a person you did not know when alive but should have — or whom you now wish you had known before it was too late.

These are not to be confused with paid death notices, which are horribly formulaic. (I know, obits can be formulaic too, but I am not talking about those here.)  A true obituary, by definition, is a story about a dead person written by a journalist. The best ones convey the news about the timing and manner of death, then go on to tell a story about an interesting life.

I wish to celebrate two obits that appear by coincidence today.

In the Boston Globe, Bryan Marquard salutes the late Sam McCracken — a obit-big“character” of the first order. I did not know McCracken despite his many years at Boston University, but now I wish I had.

 

In the New York Times, the redoubtable Robert D. McFadden opens a world — that of the favored few who not only lived in the apartments at Carnegie Hall SHERMAN1-obit-articleLargebut paid almost no rent for the privilege. The occasion is the recent death of another “character,” Editta (cq) Sherman, who made it to age 101.

 

Either of these obits could have stood on its own as a feature story in either paper. These sorts of efforts renew my faith in the obit, which is under pressure from the hollowing out of newspaper staffs and from the relentless pressure of the Internet. They remind me why we continue to teach our students in journalism schools how to write obits — and why they should want to.

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Keller v. Greenwald debate: Reporting v. Advocacy

By Christopher B. Daly

Bill Keller, former executive editor of The New York Times and keeper of the flame of traditional reporting, has squared off with Glenn Greenwald, the journalist who disclosed the Snowden leaks and an avatar of advocacy, in a debate over the meaning and future of journalism. Their debate is well worth reading and contemplating. 

Here’s my take: they are actually talking past each other. Each participant represents a different definition of journalism and cannot fathom the other’s values. As I argue in my book, Covering America, they come from competing visions of the essence of journalism, each of which has a long record.

Keller stands squarely for the tradition of responsible, dispassionate, nonpartisan, factual reporting. This was articulated forcefully by Adolph Ochs, the great-grandfather of the current Times publisher, when he bought the Times in 1896. Keller seems to believe that this tradition is the only legitimate one and that all others represent a deformation or corruption of “real” journalism.

Greenwald stands squarely for the tradition of journalism that prizes journalism for its ability to change the world. This is the polemical, analytical, interpretive form of journalism that considers advocacy the essence of journalism. Practitioners like Greenwald often look down on the reporting tradition as a weak, hypocritical, trouble-avoiding compromise.

It may come as a surprise that the advocacy tradition is actually older (much older) than the reporting tradition. In America, the first newspaper launched in 1704, and for more than a century after that, most journalism in America was a fact-free zone of argument and advocacy carried out by the likes of Sam Adams and Tom Paine.

The first full-time reporter in America (the obscure figure George Wisner of the New York Sun– pgs 61-62 in Covering America) wasn’t hired until 1833, and it took decades to establish the idea that the proper contents of a newspaper were value-free “facts” gathered by non-partisan professionals.

Personally, I don’t think one tradition is inherently more virtuous or more valuable than the other. I admire the best in both worlds.

 

 

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Who owns the Boston Globe? John Henry does.

By Christopher B. Daly 

No surprise: the deal announced last summer has finally closed. The NYT Co. has sold the Boston Globe (and a bundle of other New England news properties) to the wealthy investor John Henry. The price was $70 million, or 6.3% of the $1.1 billion that the New York Times paid for the Globe 20 years ago.

Henry, who made a fortune in commodity trading, already owns several important sports ventures —

imgresnotably the hometown MLB franchise, the Boston Red Sox. (How the Globe sports department will cover the Sox remains a touchy, unresolved issue that will not go away.)

Henry also owns the Liverpool Football Club, which is ranked third in the English Premier League of the sport we commonly call soccer. Here’s a page of links to Henry-related stories from the British newspaperGooglepluscrest The Guardian. Here’s the comparable page from the Liverpool Echo, consisting mainly of sports stories that say little about Henry.

The reason that I am searching British media for information about Henry is that he is rarely written about here. Although he has been one of the principal owners of the Boston Red Sox for years now, he is still pretty much of an enigma. He shows up in photos at the occasional charity or celebrity event, and his courtship and marriage of Linda Pizzutti (who hails from my hometown — Medford, Mass.) in 2009 produced a portfolio of rather icky photos.

Boston magazine has attempted to cover Henry, and I hope they continue to do so.

The question that awaits an answer is: how will the Globe cover its new owner? This is an inherently awkward (and possibly impossible) assignment for any news organization, since readers will always have to wonder whether any punches were pulled. To report fully and write honestly about the person who signs your paycheck is hard enough; to convince people that you are really telling the whole story means somehow overcoming the apparent conflict of interest involved. It will be a test of the Globe’s independence and its credibility as a journalistic enterprise if it even attempts to cover the new owner.

As for Henry, much remains to be seen. Here are some questions I have:

Will he be an engaged owner?

Will he keep the valuable Brian McGrory as top editor?

Will he endorse political candidates?

Will he stand by the paper’s metered pay system for online access?

Will he order up expanded coverage of English soccer?

Will he tolerate critical coverage of the Red Sox?

Will he sell the land and buildings at Morrissey Boulevard?

Will he sell the printing presses and trucks and take the Globe into a post-print future?

In this photo, what time is it? After sundown, or pre-dawn?

In this photo, what time is it? After sundown, or pre-dawn?

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Revealed: Justice Scalia’s news diet. (No NYT allowed!)

Here is an excerpt from a recent interview in New York magazine with Justice Antonin Scalia, in which he discusses his news consumption habits with interviewer Jennifer Senior.

What’s your media diet? Where do you get your news?
Well, we get newspapers in the morning.

“We” meaning the justices?

No! Maureen and I.

Oh, you and your wife …

I usually skim them. We just get The Wall Street Journal and the Washington Times. We used to get the Washington Post, but it just … went too far for me. I couldn’t handle it anymore.

What tipped you over the edge?

It was the treatment of almost any conservative issue. It was slanted and often nasty. And, you know, why should I get upset every morning? I don’t think I’m the only one. I think they lost subscriptions partly because they became so shrilly, shrilly liberal.

So no New York Times, either?

No New York Times, no Post.

And do you look at anything online?

I get most of my news, probably, driving back and forth to work, on the radio.

Not NPR? 

Sometimes NPR. But not usually.

Talk guys?

Talk guys, usually.

Do you have a favorite?

You know who my favorite is? My good friend Bill Bennett. He’s off the air by the time I’m driving in, but I listen to him sometimes when I’m shaving. He has a wonderful talk show. It’s very thoughtful. He has good callers. I think they keep off stupid people.

That’s what producers get paid for.

That’s what’s wrong with those talk shows.

Let’s talk about the state of our politics for a moment. . . 

 

I don’t know about you, but I cannot believe that a Supreme Court justice — any Supreme Court justice — can get by without reading the Times. For Scalia not to know what just a single Times reporter, Charlie Savage, is reporting is either not true or it is not professional. If we take him at his word, Scalia confines himself to

(1) a Murdoch paper,

(2) a paper that may be the worst in the country (the Washington Times, owned by a crazy Korean religious cult figure), and

(3) a radio talk show run by his friend Bill Bennett.

Talk about living in a bubble. Sheesh.

An embarassment Photo by Platon

Antonin Scalia: An embarrassment
Photo by Platon

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